Resoconto annuale degli acquisti relativi ai vari settori del Metropolitan Museum of Art, New York.

This book provides a comprehensive overview of improving critical care survivorship. Comprised of four sections, the text presents interventions that can be used to improve patient outcomes and reduce the burden of post-intensive care syndrome across the arc of care, from the ICU to returning home. The first section of the text focuses on preventing adverse outcomes in the ICU, with an emphasis on implementing early mobilization, engaging and supporting families, and employing various forms of therapy. The second section revolves around enhancing recovery post-ICU, focusing on physical and neurocognitive rehabilitation programs, peer support, and poly-pharmacy management. Community reintegration is the subject of the third section, with emphasis on socioeconomic reintegration, healthcare utilization, and volunteerism in ICU recovery. The book concludes with a section on future considerations, specifically spotlighting preliminary ideas that address long-term sequelae and international collaboration to solve critical care challenges. Written by experts in the field, Improving Critical Care Survivorship: A Guide for Prevention, Recovery, and Reintegration is a valuable resource for critical care clinicians and researchers interested in improving the quality of patient survival after ICU admission.

"The Art Centre was founded in 1968 as a result of a unique donation by Sonja Henie and Niels Onstad. Part of their donation was their art collection, expanding over a period of fifty years from 1912 throuqh to the 1960s. For the first time this Core Collection of the Henie Onstad Art Centre is the focus of a publication, presented here together with a small selection of other artworks that have been chosen over the years." "From the very start the Henie Onstad Art Centre has played an important role as a national and international arena for the development of new forms of expression within the fields of music and performance, as well as the visual arts. However, the collection has always played a major role, and this book gives an exciting insight into this crucial aspect of the Art Centre." --Book Jacket.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.