Members of the Florentine family of the Donati feature prominently in Dante's Divine Comedy . Their presence is explored by Piero Boitani, as a 'comedy' within the Comedy, in close readings of the three major episodes in which they appear, one for each of Inferno, Purgatorio, and Paradiso .

"Members of the Florentine family of the Donati feature prominently in Dante's Divine Comedy . Their presence is explored by Piero Boitani, as a 'comedy' within the Comedy, in close readings of the three major episodes in which they appear, one for each of Inferno , Purgatorio , and Paradiso ."

"This Dover edition, first published in 2017, is an unabridged republication of The Divine Comedy, translated and with Notes by Henry Wadsworth Longfellow, originally published in 1867 by George Routledge & Sons, London"--Title page verso.

The first stop on Dante's famous journey from Hell to Purgatory to Paradise, this 14th-century allegorical poem blends vivid and shocking imagery with graceful lyricism. Translated by the beloved 19th-century poet, Henry Wadsworth Longfellow.

Spanning the years from the early 1280s until about 1308, this collection of poems contains Dante's juvenilia as well as his more mature work prior to the Divine Comedy. Patrick Diehl's translation offers in a single volume the bulk of Dante's shorter poetry. The collection, omitting only those poems Dante incorporated into the Vila nuova, contains several masterpieces of medieval poetry and gives us a fascinating look at the poet's development. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This startling new translation of Dante's Inferno is by Ciaran Carson, one of contemporary Ireland's most dazzlingly gifted poets. Written in a vigorous and inventive contemporary idiom, while also reproducing the intricate rhyme-scheme that is so essential to the beauty and power of Dante's epic, Carson's virtuosic rendering of the Inferno is that rare thing—a translation with the heft and force of a true English poem. Like Seamus Heaney's Beowulf and Ted Hughes's Tales from Ovid, Ciaran Carson's Inferno is an extraordinary modern response to one of the great works of world literature.

The poem discusses "the state of the soul after death and presents an image of divine justice meted out as due punishment or reward", and describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse".