Table of Contents Insatiable Secret Affair with the Wife’s Friends Daughter Asuka's Cuckold Induction Sexting with Lara The Cuck, his Wife and her Boss M Y Ecstasy Want to be a Writer ? - Self Publish on Amazon - Step by step guide Disaster on the Blue Moon Asian Cuckold - He likes to watch Trapped in Paradise - Asian MILF Erotica Personal Liaisons - Eight stories Car Park Fun with Jane and her Younger Sister Cuckold Games - With the ARRR Pirate Chain Swingers Escort and the Gigolo Emily’s Submission - Sexual ecstasy with the man in the park Abigail’s First Time Erotic Musings 1 - 3 stories First Time Wife Shared with a Friend Be Careful What You Wish For Château de Masquerade Fake Casting Agent Adventures in Thailand and How it all Began - Sixteen Stories Dantes World of Erotica 4 - Three stories Laura and the Candy Man

As the title says, this was the first time Sian was shared with a group of young guys. Dave and Sian were living in Cape Town, South Africa and had been married about a year when they were in a downtown back street bar and things got steamy. Edited down excerpt..... “I want you to go over there... and sit with them for a while and let them buy you a drink and you can tell them... your husband says it’s OK and he likes to watch...” “Really...! You want me go back there... sit with them...?” “Yes babe, let’s have some fun.” Sian gave me a naughty smile, got up and walked over to the group, they looked a bit apprehensive as they knew she was with me. They give her a chair to sit on and her back was to me... 4 guys were in a semi-circle facing her. One guy got up and went to the bar to get her a drink and she started talking to the guy who she was dancing with. He kept on glancing at me but whatever she said must have given him the green light. He held her head and kissed her on the mouth. Wow...! I thought, that’s a bit fast. Then I saw he slid his hand down between her legs again and was clearly playing her while snogging her face. The guy glanced over at me again and I just smiled and raised my glass, so he kissed her again. The other guy returned with her drink and joined the group. The next thing I saw was two of the other guys joining in. This went on for about 10 minutes but as it was quite dark and they were all crowding around her, I couldn't really see what was going on. What I did recall more than anything else, is the strange feelings I was getting in my gut and how I was rock hard. It was like, feeling jealous and really horny at the same time, as if I was going to explode just from watching and wondering what exactly they were actually doing to her. That’s the best part… the wondering what they actually were doing to her, and then her telling me all the details later. Suddenly she sort of collapsed forward and they were holding her up. A guy then comes over to me and said, “She said you’re her husband and wanted to watch...!” Strictly 18 + Adults only – 4000 words

The essays collected here join in, and contribute to, the current reflection on Dante’s vitality today in a critical, multidisciplinary vein. Their intervention comes at a particularly sensitive juncture in the history of Dante’s global reception and cultural reuse. Dante today is as alive as ever. A cultural icon no less than a cultural product, Dante’s imaginative universe enjoys a pervasive presence in popular culture. The multiformity of approaches represented in the collection matches the variety of the material that is analyzed. The volume documents Dante’s presence in genres as different as graphic novels and theater productions, children’s literature, advertisements and sci-fi narratives, rock and rap music, video- and boardgames, satirical vignettes and political speeches, school curricula and prison-teaching initiatives. Each chapter combines a focused attention to the specificity of the body of evidence it treats with best analytical practices. The volume invites collective reflection on the many different rules of engagement with Dante’s text.

Dante, the pilgrim, is the image of an author who stubbornly looks ahead, seeking and building the "Great Beyond" (Manguel). Following in his footsteps is therefore not a return to the past, going à rebours, but a commitment to the future, to exploring the potential of humanity to "transhumanise". This dynamic of self-transcendence in Dante’s humanism (Ossola), which claims for European civilisation a vocation for universalism (Ferroni), is analysed in the volume at three crucial moments: Firstly, the establishment of an emancipatory relationship between author and reader (Ascoli), in which authorship is authority and not power; secondly, the conception of vision as a learning process and horizon of eschatological overcoming (Mendonça); finally, the relationship with the past, which is never purely monumental, but ethically and intertextually dynamic, in an original rewriting of the original scriptural, medieval, and classical culture (Nasti, Bolzoni, Bartolomei). A second group of contributions is dedicated to the reconstruction of Dante’s presence in Portuguese literature (Almeida, Espírito Santo, Figueiredo, Marnoto, Vaz de Carvalho): they attest to the innovative impact of Dante’s work even in literary traditions more distant from it.

This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.

This edited volume explores the combination of cultural phenomena that have established and canonized the work of John Milton in a global context, from interlingual translations to representations of Milton's work in verbal media, painting, stained glass, dance, opera, and symphony.

This volume provides the first systematic study of the translation and reception of Dante’s Vita Nova in the Anglophone world, reconstructing for the first time the contexts and genesis of its English-language afterlife from the early nineteenth century to the present day. Dante is one of the foremost authors of the Western canon, and his Vita Nova has been repeatedly translated into English over the past two centuries. However, there exists no comprehensive account of the critical, scholarly, and creative English-language reception of Dante’s work. This collection brings together scholars from Dante studies, translation studies, English studies, and book history to examine the translation and reception of the Vita Nova among modern English-speaking publics, in both academic and non-academic contexts, and thus represents a major contribution to Dante studies. The Afterlife of Dante’s Vita Nova in the Anglophone World will be an essential reference point for scholars and students in English and Italian studies, literary and cultural studies, and translation and reception studies in the UK, Ireland, the USA, and Italy, where Dante is taught and researched.