Ranging from cuneiform to shorthand, from archaic Greek to modern Chinese, from Old Persian to modern Cherokee, this is the only available work in English to cover all of the world's writing systems from ancient times to the present. Describing scores of scripts in use now or in the past around the world, this unusually comprehensive reference offers a detailed exploration of the history and typology of writing systems. More than eighty articles by scholars from over a dozen countries explain and document how a vast array of writing systems work--how alphabets, ideograms, pictographs, and hieroglyphics convey meaning in graphic form. The work is organized in thirteen parts, each dealing with a particular group of writing systems defined historically, geographically, or conceptually. Arranged according to the chronological development of writing systems and their historical relationships within geographical areas, the scripts are divided into the following sections: the ancient Near East, East Asia, Europe, South Asia, Southeast Asia, and the Middle East. Additional parts address the ongoing process of decipherment of ancient writing systems; the adaptation of traditional scripts to new languages; new scripts invented in modern times; and graphic symbols for numerical, music, and movement notation. Each part begins with an introductory article providing the social and cultural context in which the group of writing systems was developed. Articles on individual scripts detail the historical origin of the writing system, its structure (with tables showing the forms of the written symbols), and its relationship to the phonology of the corresponding spoken language. Each writing system is illustrated by a passage of text, and accompanied by a romanized version, a phonetic transcription, and a modern English translation. A bibliography suggesting further reading concludes each entry. Matched by no other work in English, The World's Writing Systems is the only comprehensive resource covering every major writing system. Unparalleled in its scope and unique in its coverage of the way scripts relate to the languages they represent, this is a resource that anyone with an interest in language will want to own, and one that should be a part of every library's reference collection.

From award-winning author, Ilona Andrews, an all-new novel set in the New York Times #1 bestselling Kate Daniels World and featuring Julie Lennart-Olsen, Kate and Curran's ward. Atlanta was always a dangerous city. Now, as waves of magic and technology compete for supremacy, it’s a place caught in a slow apocalypse, where monsters spawn among the crumbling skyscrapers and supernatural factions struggle for power and survival. Eight years ago, Julie Lennart left Atlanta to find out who she was. Now she’s back with a new face, a new magic, and a new name—Aurelia Ryder—drawn by the urgent need to protect the family she left behind. An ancient power is stalking her adopted mother, Kate Daniels, an enemy unlike any other, and a string of horrifying murders is its opening gambit. If Aurelia’s true identity is discovered, those closest to her will die. So her plan is simple: get in, solve the murders, prevent the prophecy from being fulfilled, and get out without being recognized. She expected danger, but she never anticipated that the only man she'd ever loved could threaten everything. One small misstep could lead to disaster. But for Aurelia, facing disaster is easy; it’s relationships that are hard.

Daniel, whose family suffers as the Nazis rise to power in Germany, describes his imprisonment in a concentration camp and his eventual liberation.

Modern research techniques have revealed a hidden scheme aimed at God's Holy Words... Modern Bibles have changed many verses because of the discovery of an "ancient" manuscript in a monastery on the Sinai Peninsula. The manuscript, called Sinaiticus, is claimed to be the earliest complete copy of the New Testament. Its discoverer, who was a world leading Bible scholar in his time, told the world Sinaiticus was from the 4th century and that it was the "oldest and best" Bible available. Publishers rushed to make new Bibles with many changes to match it. But not everyone agreed. When this famed 19th century Bible scholar, Constantine Von Tischendorf, claimed the ancient date, a well-known Greek calligrapher said, "No! I made that document!" But why did no one believe him? Maybe it's because pages of the manuscript were stored where no one could view them, archived in exclusive collections across several continents. Now, an international group has carefully photographed each page of Sinaiticus and is displaying it on the internet as high-quality digital images. For the first time, Bible scholars and students can see the entire manuscript together, as was never possible before. And what they are seeing with their own eyes is shocking. Some of the pages are white and look quite new, while others have been darkened to make them look very old. If they are all from the same "old" Bible, how can this be? Researcher David W. Daniels proves with easy-to-understand evidence that the Sinaiticus is not the oldest manuscript and certainly not the best, either. He is also convincing in showing it's not old after all and that the Greek calligrapher did make it, in the 19th century. The textual (and doctrinal) changes in modern Bibles are based upon a fake —a shadowy scheme worthy of Satan's hatred for the preserved words of God.

A masterful introduction to world mythology, shedding light on the impact it has had on cultures past and present and untangling the complex web of deities, monsters and myths.

Revelation speaks to the reality that we are caught in the fray of cosmic conflict. We are guilty. We've already been contaminated. But it's not too late for us to exit empire and enter the kingdom. We are yet both victim and victimizer. We have healing work to do, and we must take responsibility for the ways in which we have benefited from and been complicit with the religion of empire. This is the truth of Revelation. God wants to liberate us in body, heart, soul, and mind.Revelation reveals how scapegoating functions within empire to define its own boundaries and contours as being over and against wicked others.Revelation critiques wealth and shows that even in the first century there was prophetic critique against an economic system that was based on abundance for some, while exploiting the rest.Revelation demonstrates the importance of liturgy as something that forms people into the likeness of either empire or the lamb.Revelation reveals an alternative social order which becomes the center of resistance rooted in a vision of what the book describes as "the multitude."