Forty years of the legendary artist and sculptor Daniel Brush's sublime work with jewels. A unique figure in the world of contemporary art, Daniel Brush is in equal measure artist and craftsman. Over the course of forty years, Brush has created an unparalleled body of work, whose scope ranges from large-scale abstract drawings to sculptures in steel, aluminum, and gold. Collected here are more than 150 objects that bring to the fore Brush's astonishing work with jewels. Far from the products of the world of commercial jewelry, these are jewel-encrusted objects of virtue and fantasy that reflect not just the artist's rigorous personal aesthetic and mastery of technique, but his lifelong fascinations with philosophy and Asian thought, and his exhaustive knowledge of the history of precious stones. With photography made of the objects in situ inside Brush's studio in New York City, this book presents not only a catalog of his jewel work to date, but also an ethereal portrait of the artist himself. Housed in a slipcase, with photographs by Takaaki Matsumoto and an illuminating text by Vivienne Becker, this is an intimate study of the work of a master artist and a beautiful object in itself.

This lavish volume reveals the extraordinary world and precious objects and sculptures of Daniel Brush, a modern master whose work is unparalleled in contemporary art.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian Peru to bowknot earrings designed by Yves Saint-Laurent. These most intimate works of art provide insight into the wearers, but also into the cultures that produced them. More than 200 jewels and ornaments, alongside paintings and sculptures of bejeweled bodies, demonstrate the social, political, and aesthetic role of jewelry from ancient times to the present. Gorgeous new illustrations of Bronze Age spirals, Egyptian broad collars, Hellenistic gold armbands, Japanese courtesan hair adornments, jewels from Mughal India, and many, many more explore the various facets of jewelry and its relationship to the human body over 5,000 years of world history.

This luxurious book is the first comprehensive survey of jewelry as an art form, showcasing the dazzling work of a diverse collection of today's most exclusive jewelers

This is the ultimate illustrated guide to the most exquisite vanity cases from the nineteenth century onward; an unmissable opportunity for lovers of jewelry and fashion. This elegant and richly illustrated volume, featuring a slipcase and gilded page edges, showcases a rare private collection of vanity cases and includes an exquisite array of luxury accessories from the nineteenth century to the twentieth century. These vanity cases, carefully designed and mostly handmade, became covetable accessories with the advent of beauty products. The vanity case, the ultimate jeweled fashion accessory, was designed and made mostly in Paris by skilled designers and craftsmen who understood that the fashionable modern woman needed a practical solution for carrying lipstick, powder compact, cigarettes, lighter, theater tickets, keys, and other small paraphernalia. Tiny, made of precious metals, including platinum and gold, with inlays of lacquer, gemstones, mother-of-pearl, jade, or enamel, these reticules took hundreds of hours of patient craftsmanship to complete.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Accompanying the much-anticipated 2014 exhibition at Museo Jumex in Mexico City - the first time a comprehensive exhibition of the American artist's work has been mounted in Latin America - this celebration of Cy Twombly's career includes works on paper, paintings and sculptures, from early works of the 1950s to the Camino Real series of paintings that he completed shortly before his death in 2011.