At the dawn of the Jet Age, flying was romantic, exciting and exclusive. Drab post-war austerity surrendered to a less restrained, less politically correct, more vibrant era. Britain prospered with a newfound sense of optimism, business flourished and airlines expanded. Colin Fairdale, an insecure public schoolboy, stumbles into a career as a pilot with BOAC at the end of the Swinging Sixties. He is a boy in a man's world of hard-drinking, boorish wartime pilots and a naïf among wild, carousing cabin crew . The high-pressure, high-octane lifestyle plays a heavy toll on his relationships as he blunders through life. The terrorist attacks on New York heralded a more serious, rigid age. Everything changed, forever...

The second of live volumes planned to give a systematic account of Japanese literature from its beginnings to the death of the modern novelist Mishima, this book establishes the character of the literature of the early Middle Ages, from the ninth to the mid-twelfth century. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This title presents the definitive history of the largest civil jet transport to be designed, built and enter service in the UK. It also covers all variants such as the V1000, VC11 and VC10 Superb, and includes a close-up-detail section for modellers.

The 10th anniversary edition A Guardian Best Book about Deforestation A New Scientist Best Book of the Year A Taipei Times Best Book of the Year “A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.” —Louise Erdrich, New York Times Book Review “The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.” —Amitav Ghosh, The Guardian “A literary treasure...a must for anyone who wants to understand more of the diverse beauty and wonder of existence.” —New Scientist A now classic account of the life and thought of Davi Kopenawa, shaman and spokesman for the Yanomami, The Falling Sky paints an unforgettable picture of an indigenous culture living in harmony with the Amazon forest and its creatures, and its devastating encounter with the global mining industry. In richly evocative language, Kopenawa recounts his initiation as a shaman and first experience of outsiders: missionaries, cattle ranchers, government officials, and gold prospectors seeking to extract the riches of the Amazon. A coming-of-age story entwined with a rare first-person articulation of shamanic philosophy, this impassioned plea to respect indigenous peoples’ rights is a powerful rebuke to the accelerating depredation of the Amazon and other natural treasures threatened by climate change and development.

The Friend gives a fresh, simple understanding of happiness as a state of Being, and unhappiness as a reflection of our distance from our own Being. In modern language, it shows how we have come to be separated from our own being. The Friend is both guide book and a Journey book. It teaches skills and understanding for navigating through the personality self to find the core states of Being. In the journey we find challenges, tasks, learning, and the precious inner treasures that open to our willingness to be with our self.

This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs