Thirty years ago, David Leavitt first appeared on the literary scene with a gutsy story collection that stunned readers and reviewers. Just twenty-three, he was hailed as a prodigy of sorts: “remarkably gifted” (The Washington Post), with “a genius for empathy” (The New York Times Book Review) and “a knowledge of others' lives . . . that a writer twice his age might envy” (USA Today). “Regardless of age,” wrote the New York Times, “few writers so effortlessly achieve the sense of maturity and earned compassion so evident in these pages.” In “Territory,” a well-intentioned, liberal mother, presiding over her local Parents of Lesbians and Gays chapter, finds her acceptance of her son's sexuality shaken when he arrives home with a lover. In the title story, a family extended through divorce and remarriage dances together at the end of a summer party-in the recognition that they are still bound by the very forces that split them apart. Tender and funny, these stories reveal the intricacies and subtleties of the dances in which we all engage.

On life and times of Ragini Devi and Indrani Rahman, 1930-1999, both Indian danseuse.

'[This book] deserves to be read, not merely because it is about extraordinary women set against the changing historical backdrop of Indian classical dance, but primarily because it is a story well told.'--The Hindu A riveting chronicle about three generations of women who profoundly impacted the revitalization of classical dance--especially Bharatanatyam and Odissi--in India and abroad. This intimate memoir begins with Esther Luella, who in the Orientalist frenzy of 1920s America became increasingly immersed in Indian dance and changed her name to "Ragini Devi", then eloped tumultuously to India. Here her stubborn pursuit of what she felt she had been reincarnated for resulted in an acclaimed career as a Bharatanatyam and Kathakali dancer. Yet a gypsy fortune-teller had predicted that her daughter's fame would eclipse her own, and indeed it was Indrani Rahman--rebellious, talented, beautiful, defying her mother by marrying aged fifteen--who truly brought Indian classical dance to the world stage; a pioneer who introduced Odissi, until then performed only by the marginalized Devadasi community, to widespread appreciation. Sukanya Rahman, granddaughter to Ragini and daughter to Indrani, explores the truths behind their celebrated lives against the history of the dances they popularised in pre- and post-Independence India. She delves into her own life with the same unassuming candour, reflecting upon her simultaneous desire and inability to draw away from this potent inheritance of dance. Ultimately an ode to these remarkable women so significant to Indian dance, this intergenerational memoir is recounted with a frank authenticity which makes for a compelling read. More than 50 archival family photographs, dating from 1893, contribute to making this book a gem in the history of Indian dance.

Samuel Johnson was born in Massachusetts in 1792. He married Charlotte Abigail Howe and they had seven children. Biographical sketches of Samuel and Charlotte and their descendants, as well as records of their ancestry is given in this volume. Descendants continue to be leaders of their communities and live in Massachusetts, and elsewhere.

Dancing with the Family presents something of a clinical importance, not to offer an all-encompassing theory of the family therapy. This book emphasize on a dual focus. You will be asked to remain cognizant of the centrality of the person of the therapist, as well as of the evolving process of the therapy.

In this timely tale of immigration, two cousins learn the importance of family and friendship. A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. Mexico may be her parents’ home, but it’s certainly not Margie’s. She has finally convinced the other kids at school she is one-hundred percent American—just like them. But when her Mexican cousin Lupe visits, the image she’s created for herself crumbles. Things aren’t easy for Lupe, either. Mexico hadn’t felt like home since her father went North to find work. Lupe’s hope of seeing him in the United States comforts her some, but learning a new language in a new school is tough. Lupe, as much as Margie, is in need of a friend. Little by little, the girls’ individual steps find the rhythm of one shared dance, and they learn what “home” really means. In the tradition of My Name is Maria Isabel—and simultaneously published in English and in Spanish—Alma Flor Ada and her son Gabriel M. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.

AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like an emotional gut punch—so beautiful and also heart-wrenching."—US Weekly In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates—what will happen when she finally sees her own? Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?