In this timely tale of immigration, two cousins learn the importance of family and friendship. A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. Mexico may be her parents’ home, but it’s certainly not Margie’s. She has finally convinced the other kids at school she is one-hundred percent American—just like them. But when her Mexican cousin Lupe visits, the image she’s created for herself crumbles. Things aren’t easy for Lupe, either. Mexico hadn’t felt like home since her father went North to find work. Lupe’s hope of seeing him in the United States comforts her some, but learning a new language in a new school is tough. Lupe, as much as Margie, is in need of a friend. Little by little, the girls’ individual steps find the rhythm of one shared dance, and they learn what “home” really means. In the tradition of My Name is Maria Isabel—and simultaneously published in English and in Spanish—Alma Flor Ada and her son Gabriel M. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.

Serena, the central figure in these linked stories and a born New Yorker, is outrageous, stubborn, mystical and deeply engaged with love of all kinds: emotional, physical, intellectual, and with intimacy that extends into the wider realms beyond the visible world. The stories begin with her birth and follow her life and the lives of her friends and lovers. We meet Ingrid, artist and wild woman; Rose, sensible and intelligent, with a dry wit; Leo, architect and musician, a compassionate, soulful and endearing man and many others, whose origins and connected lives reveal the paradoxes, struggles, bliss and complexities of love. The stories embrace the sensual world and the capacity to hold it with an open heart. They explore the grace of loving in a variety of ways. As Dancing Home unfolds, Serena's intuition leads her to an enhanced relationship with a larger reality and the challenges of integrating that world with ordinary life. Ultimately, this puzzle of who the characters are and the nature of their intertwined lives plays itself out and comes to a fluid conclusion. Dancing Home is a love affair with New York and to the affairs of love.

‘When he was in gaol, he’d begun to prepare himself for the fight of his life, a showdown with the policeman, McWilliams ... he’d face life with death, and see who blinked first.’ Blackie and Rips are fresh out of prison when they set off on a road trip back to Wiradjuri country with their mate Carlos. Blackie is out for revenge against the cop who put him in prison on false grounds. He is also craving to reconnect with his grandmother’s country. Driven by his hunger for drugs and payback, Blackie reaches dark places of both mystery and beauty as he searches for peace. He is willing to pay for that peace with his own life. Part road-movie, part ‘Koori-noir’, Dancing Home announces an original and darkly funny new voice.

Sara, the cautious, quietly observant twin, narrates this reminiscence of sisters whose dreams were intermittently encouraged or dashed by their ambitious, stout-hearted Norwegian-American mother and their alternatively abusive and loving Danish-American father, who felt enslaved by his land and cattle. The twins' emotionally fragile older sister, mischevious younger brother, and sturdy baby sister each found ways to cope. This is a personal portrayal of parents, siblings, family and neighbours who painted the rural landscape in sombre tones of duty and self-sacrifice, yet touched it with hope and grace.

Presents twenty activities that test the scientific properties of elements of popular children's books, including creating slime, shaking cream into butter, and constructing an air balloon.

Jean Little's poignant novel about an abandoned girl, and the dog who helps teach her how to trust again. Ten-year-old Min has had a long history of foster care since she was abandoned at age three. Now, let go by yet another foster family, Min continues to build a protective wall around herself. Her newest caregiver, a former Children's Aid doctor, sees past Min's hardened shell and tries to find a way to reach her...and does, finally, by taking in a sick, neglected dog that has escaped from a puppy mill. While watching the dog recover and open its heart to its new owners, Min comes out of her own shell. Readers will rejoice as Min opens her heart and allows herself to be a part of a loving family, to make friends and to finally stand up to the taunts of a bully, whose hurtful words have contributed to her lack of self-esteem.

AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like an emotional gut punch—so beautiful and also heart-wrenching."—US Weekly In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates—what will happen when she finally sees her own? Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?