Every reader can connect to the themes of this book. In Dancing Around Jericho's Walls, I present three phases we face, when we deal with a crisis. First, there is Sunset, when hope is lost. Then, there is The Darkest Hour, when our senses see the darkness but our faith knows light is coming. Finally, there is Sunrise. In this book, I study each phase through the eyes of 10 Bible examples, such as Moses facing Pharaoh, Joshua facing Jericho, Jonah facing the whale, the hungry facing Christ, the apostles facing threats to their lives, and more. In each phase, you will feel their struggle and identify with their conflict, as you step with them toward Sunrise. Included is also MANY quotes from Benjamin Franklin, Thomas Edison, Henry Ford, Hellen Keller, J. P. Morgan, Charles Schwab, Samuel Adams, Patrick Henry, Abraham Lincoln, Thomas Jefferson, Theodore Roosevelt, and John F Kennedy.

An Arab-American detective and an Israeli agent must prevent an international conspiracy from sabotaging the Arab-Israeli peace talks.

This is a story of the Igbo Diaspora in America. It is a story of the cultural conflicts that often arise when an Igbo youth falls in love with, and wants to marry, a non-Igbo. Okocha Anigbo, one of the two sons of Chief Nat and Lolo Ekemma Anigbo, meets and falls in love with an American girl, Tatiana Karefa, the daughter of Edna and Philip Karefa, a jovial and unapologetic Baptist. But Chief Anigbo, a well-respected Igbo community leader and vocal opponent of cross-cultural marriages, is bitterly and implacably opposed to his sons plan to marry the American girl. Entreaties from his son, and even from one of the respected elders of the Igbo community, Chikezie Odogwu, fail to persuade him to change his position. For his part, Okocha sees the traditional and cultural underpinnings relating to the institution of marriage among the Igbo as a veritable Wall of Jericho that needs to be breached, to let the Igbo youth freely marry from outside the Igbo clan. In the teeth of Chief Anigbos opposition, but with the blessing of Philip Karefa, Okocha and Tatiana marry. The denouement comes with the birth of their child.

Ute Land Religion in the American West, 1879–2009 is a narrative of American religion and how it intersected with land in the American West. Prior to 1881, Utes lived on the largest reservation in North America—twelve million acres of western Colorado. Brandi Denison takes a broad look at the Ute land dispossession and resistance to disenfranchisement by tracing the shifting cultural meaning of dirt, a physical thing, into land, an abstract idea. This shift was made possible through the development and deployment of an idealized American religion based on Enlightenment ideals of individualism, Victorian sensibilities about the female body, and an emerging respect for diversity and commitment to religious pluralism that was wholly dependent on a separation of economics from religion. As the narrative unfolds, Denison shows how Utes and their Anglo-American allies worked together to systematize a religion out of existing ceremonial practices, anthropological observations, and Euro-American ideals of nature. A variety of societies then used religious beliefs and practices to give meaning to the land, which in turn shaped inhabitants’ perception of an exclusive American religion. Ultimately, this movement from the tangible to the abstract demonstrates the development of a normative American religion, one that excludes minorities even as they are the source of the idealized expression.

I think HEAL CAT, Heal You! By Woman is such an important book to buy and keep on your shelf, because it teaches the Word of God as a means to quell and heal as a creative force for great artistic minds, or simply as a healing method to help you stand up during the day. Art must be cleaned for the populace to be healthy. Ask the USO if this book is how to heal grandma even while you try to be big. It alters you from being ladeda mediocre artistic unto a world where God reigns by clearing curses off your art thereby altering fate of reception to your arts. By using Bible verses in our prayer to actually cause the choreographic movements or art enhancements, the next step becomes a prayer process to remove the sin needing repentance of the word of God to make the work popular. It's not only political connections to be big in the arts, it's also being prepared to battle what comes against you by appealing to God by using prayer and repentance of the scripture that creation is made from to protect the public as they can enjoy art better when they are clean and healthy themselves. So you need a hardcover edition to pass down to your kids with certainty they will receive the information unblocked from loss of cloud fun, especially if Christianity becomes inexpedient under new rulership. HEAL CAT is how to defend yourself quietly without having to nuisance to get free. It is a real biblical healing process originally intended by God and why we never used pharmaceuticals in our past before. Prayer works better when Biblical language is used. Life then becomes how to stay clean, young, and healthy to use this repenter pak methodology and how to be loved as an artist; to use prayer and repentance in your work. And God blesses turning to Him.

A physician who applied his knowledge of chemistry to the manufacture of a widely used antiseptic, Albert Barnes is best remembered as one of the great American art collectors. The Barnes Foundation, which houses his treasures, is a fabled repository of Impressionist, post-Impressionist, and early modern paintings. Less well known is the fact that Barnes attributed his passion for collecting art to his youthful experience of African-American culture, especially music. Art, Education, and African-American Culture is both a biography of an iconoclastic and innovative figure and a study of the often-conflicted efforts of an emergent liberalism to seek out and showcase African American contributions to the American aesthetic tradition. Mary Ann Meyers examines Barnes's background and career and the development and evolution of his enthusiasm for collecting pictures and sculpture. She shows how Barnes's commitment to breaking down invidious distinctions and his use of the uniquely arranged works in his collection as textbooks for his school, created a milieu where masterpieces of European and American late-nineteenth and early-twentieth century painting, along with rare and beautiful African art objects, became a backdrop for endless feuding. A gallery requiring renovation, a trust prohibiting the loan or sale of a single picture, and the efforts of Lincoln University, known as the "black Princeton," to balance conflicting needs and obligations all conspired to create a legacy of legal entanglement and disputes that remain in contention. This volume is neither an idealized account of a quixotic do-gooder nor is it a critique of a crank. While fully documenting Barnes's notorious eccentricities along with the clashing interests of the main personalities associated with his Foundation, Meyers eschews moral posturing in favor of a rich mosaic of peoples and institutions that illustrate many of the larger themes of American culture in general and African-American culture in particular.

WOULD THE WALLS COME TUMBLING DOWN? After sixteen years of wedded bliss, Claire Jericho yearned to be more than just a housewife. God meant her to do something meaningful—but what? When a ministry to help unfortunate women started up at church, Claire knew this was the answer to her prayers. If only she could persuade her husband…. Ben Jericho still saw Claire as his helpless young bride. But the “sweet young thing” had grown up into a smart and capable woman. Convinced her ministry was just a crazy scheme, Ben was against the project from the start. Could Claire show him this was truly her heart’s desire?