The Dunces—Josh, Magnolia, Wang and Wilmot—are back, and this time they’re going up against a formidable foe: Principal Hale, who has canceled their school’s drama and music program just when Wilmot needs it most. He has a guitar (given to him by a teen named Headcase), but no teacher and nowhere to practice (his dad hates rock ’n’ roll). The Dunces’ plan to convince Principal Hale to reinstate the program involves Josh’s reluctant participation in a hockey team, Magnolia’s enthusiastic role-playing and Wang’s disillusionment with a suspicious character named Hui Bing (aka Larry). But can the Dunces really rock, even when they rebrand themselves as Cousin Willy and the Wang Dang Doodles?

The travelers are headed home. Much to Lance's delight, Mom has found her 'it' and turned back into her old Mom-self. No more kid stuff. As they reach the outskirts of town, the familiar smell of marshmallows welcomes them. Let's go say hi to Dad. Mr. Tumble Leftfoot is a hapless klutz and also father to Lance, and husband to Lovely. Enter the Marshmallow Factory and discover how Mr. Tumble Leftfoot came upon his extraordinary klutziness.

Dancing about Architecture: A Little Book of Creativity is a compendium of outrageous ideas: ideas about how to take more risks, and about how to go about coming up with better ideas. Ideas about how to plan experiences that leave people who are in the same room as those ideas awestruck, and ideas to help you avoid the textbook, the worksheet the barely stifled yawn. From using The Book of Revelation as a planning device; to seeing every experience through the prism of physical activity or song; to measuring a poem to find its real heart; it outlines a methodology that, if you use it, will make you an even greater creative force than you already are.

Illustrated with a wealth of photographs and designs for decor and costumes, most never before published, AUSTRALIA DANCES: CREATING AUSTRALIAN DANCE 1945-1965 surveys the major companies, the many smaller groups which flourished, modern dance, the beginnings of Aboriginal theatrical dance and the various teaching codes which became established. Selected works from company repertoires are discussed, making the book a rich and valuable resource for students and scholars as well as an essential addition to every dance lovers library.