A Brooklyn stickup artist, his taxi-dancing wife, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converge in 1930s Sing Sing heading toward death, redemption-and Ebbets Field. *** "DANCE HALL: A NOVEL OF SING SING" unveils a grand and riveting tale of a violent and desperate past, unforgettably narrated in a gripping, often wry, fashion--recorded in tears and punctuated in--rarely innocent--blood. Dance Hall flawlessly transports readers to a seedy, volatile 1930s underworld where love and honor and redemption jostle for mere survival with greed and lust and betrayal. Dance Hall reveals the story of a Brooklyn stickup artist, his taxi-dancing Filipina spouse, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converging in Sing Sing, destined for love, death, forgiveness, redemption--and Ebbets Field. Dance Hall reveals a page-turning web of perfectly-balanced back stories: of a young parish priest gone wrong and then right again, of a brutal Bowery killer with escape on his mind, a con man with the vestige of a conscience, a thuggish Garment District goon with a devout sister, a tell-all Broadway gossip columnist who can make or break you, a rat of an accomplice, a once-disgraced private detective who now surprisingly elevates a principle above a paycheck. Read Dance Hall and you live and breathe life inside cold and desperate prison halls and cells; sweaty and often violent Brooklyn dime-a-dance dance halls; threadbare tenements, back-alley speakeasies where anything you wanted badly enough was for sale; the offices of the rich and powerful and still conflicted; and of a waiting area for Sing Sing's "Death Row" called "The Dance Hall"--all while returning you to Depression days when hope reigned supreme. Because hope was all you had.

A groundbreaking and visionary call to action on educating and supporting girls of color, from the highly acclaimed author of Pushout, with a foreword by award-winning educational abolitionist Bettina Love Wise Black women have known for centuries that the blues have been a platform for truth-telling, an underground musical railroad to survival, and an essential form of resistance, healing, and learning. In this “powerful call to action” (Rethinking Schools), leading advocate Monique W. Morris invokes the spirit of the blues to articulate a radically healing and empowering pedagogy for Black and Brown girls. Morris describes with candor and love what it looks like to meet the complex needs of girls on the margins. Sing a Rhythm, Dance a Blues is a “vital, generous, and sensitively reasoned argument for how we might transform American schools to better educate Black and Brown girls” (San Francisco Chronicle). Morris brings together research and real life in this chorus of interviews, case studies, and the testimonies of remarkable people who work successfully with girls of color. The result is this radiant guide to moving away from punishment, trauma, and discrimination toward safety, justice, and genuine community in our schools.

Another playful and winning story by the author of Pete the Cat: I Love My White Shoes! Hazel Nut wants her family to sing and dance along with her, but they are just too busy! Who can she call? Why... her super-hip, disco-dancing Grandma Nut! In the second book of the Nuts series, Eric Litwin's playful call-and-response rhymes and Scott Magoon's hilarious illustrations invite readers young and old to join in on the fun.

Fifth grade is proving to be a challenge for ten-year-old Cassidy. There's a new girl at school who's stealing her best friend's heart, an abandoned bird who might not survive the winter, and an older sister whose emotional needs leave Cassidy scrambling to keep the peace. Cassidy will do anything to help prevent her sister's "Super Sophie Tantrums," even if that means pretending life is fine when it one-hundred-percent is not. But pretending has its limits and its costs, even for a sunshiny girl like Cassidy. Will she find a way to embrace the stormy side of her personality before everything falls apart?

Ten years of infertility issues culminate in the destruction of music therapist Zoe Baxter's marriage, after which she falls in love with another woman and wants to start a family, but her ex-husband, Max, stands in the way.

Texas, the 1930s—the years of the Great Depression. It was the Texas of great men: Dobie, Bedichek, Webb, the young Américo Paredes. And it was the Texas of May McCord and "Cocky" Thompson, the Reverend I. B. Loud, the Cajun Marcelle Comeaux, the black man they called "Grey Ghost," and all the other extraordinary "ordinary" people whom William A. Owens met in his travels. "Up and down and sideways" across Texas, Owens traveled. His goal: to learn for himself what the diverse peoples of the state "believed in, yearned for, laughed at, fought over, as revealed in story and song." Tell me a story, sing me a song brings together both the songs he gathered—many accompanied by music—and Owens' warm reminiscences of his travels in the Texas of the Thirties and early Forties.

NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.