Gothic Novel, dark fantasy The Red Demon, an empathic and tormened vampire, has just been converted by his Master, which leads him to lose his "sibfriend" Eva. In this third book we will see that harsh transformation process (physical, moral, social) as the rest of characters gets related in astounding and unexpected associations. Emotion, mystery, pain, suspense, humor and terror will unite in this unsettling volume of the saga to surprise and excite you without limits. Prepare yourself to laugh, cry, get horrified, to FEEL IN ALL CAPS with "I" and Wva, with Leo, the necromancers Luna and Ianire, the diabolic doll Paula, with the demon Arioch and a long cast of connected damned characters.

Explores the domain of the aesthetic in Dante

Since the days of the Spanish Conquest, the indigenous populations of Andean Bolivia have struggled to preserve their textile-based writings. This struggle continues today, both in schools and within the larger culture. The Metamorphosis of Heads explores the history and cultural significance of Andean textile writings—weavings and kipus (knotted cords), and their extreme contrasts in form and production from European alphabet-based texts. Denise Arnold examines the subjugation of native texts in favor of European ones through the imposition of homogenized curricula by the Educational Reform Law. As Arnold reveals, this struggle over language and education directly correlates to long-standing conflicts for land ownership and power in the region, since the majority of the more affluent urban population is Spanish speaking, while indigenous languages are spoken primarily among the rural poor. The Metamorphosis of Heads acknowledges the vital importance of contemporary efforts to maintain Andean history and cultural heritage in schools, and shows how indigenous Andean populations have incorporated elements of Western textual practices into their own textual activities.Based on extensive fieldwork over two decades, and historical, anthropological, and ethnographic research, Denise Arnold assembles an original and richly diverse interdisciplinary study. The textual theory she proposes has wider ramifications for studies of Latin America in general, while recognizing the specifically regional practices of indigenous struggles in the face of nation building and economic globalization.

"Witty and heartfelt essays, shaken and stirred."—Kirkus Reviews "David Mason believes in literature as a weather event—even an extreme one. He reads to be changed—drenched, burned, blown away. He has no wish to have his standing position confirmed, and is alert to the ways in which his subjects are changed, both by their writing and its reception. These essays move comfortably from the lines of a Nobel Prize-winning poet to the dwelling of a Greek peasant who could have stepped out of Homer, on to the perils of literary biography. Mason is a reader as much as he is a writer. He looks into the political in order to find the personal—not the other way round. Incarnation & Metamorphosis is engaging all the way through, not least when Mason acts on the assumption, 'The imagination is free.'”—James Campbell, author of Talking at the Gates: A Life of James Baldwin “Literary criticism,” David Mason writes, “ought to entertain as well as illuminate.” In these essays Mason tells stories about embodiment and change, incarnation and metamorphosis, drawing connections between art and life without confusing the two. Mason considers the many kinds of change we encounter in our lives, our desire for justice, and the ways great writers complicate that desire. He discusses the lives and works of writers like Montaigne, Diderot, and Neruda as well as his colorful father’s fascination with a fictional character. He takes up such contemporary figures as the daring Australian writer Helen Garner, the playwright Tom Stoppard, and the poet-critic Dana Gioia; has fresh things to say about the perils of fame in the careers of Sylvia Plath and Seamus Heaney; and mourns the loss of poet Michael Donaghy. Incarnation & Metamorphosis is a book about living with literature—Mason writes that literature “is telling us that we are seen, warts and all. Criticism, such as the essays in this book, is a way of seeing back.”

So, you've been sired. What now? You have started the biggest adventure of your life, or should we say of your death. Or undeath. Things are never going to be the same again. You need a roadmap for your new existence. Forget all the old stuff. That's all gone now. It's time to face the future. You no longer need to worry about the fate of the ordinary human. All they have to look forward to is death. For you, provided you don't run into any pesky vampire slayers, you have all the time in the world ahead of you. How are you going to fill all this time, time without end? It's a privilege to be a vampire. You're one of the special ones, the chosen ones. You're nothing like the run of the mill masses with all their dreary jobs and dull lives. Jack Kerouac said, "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes 'Awww!'" Vampires are these people. A cut above. Vampires have more bite, more penetration, more everything. This is your handbook to orient you to your undeath. Your transition will take a lot of getting used to. You'll be meeting entirely different people. You'll be mixing in new circles. You'll be leaving behind familiar family and friends. You'll be expanding your horizons. You'll be learning about the origins of vampires in ancient Egypt, and the Egyptians' extraordinary religious views based on pure magic. Are you ready for this? It's time for you to step into the spotlight. Now is your time. Your time to shine. You are one of the extraordinary ones! Enjoy!

Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.