This critically analytical filmography examines 45 movies featuring "grande dames" in horror settings. Following a history of women in horror before 1962's What Ever Happened to Baby Jane?, which launched the "Grande Dame Guignol" subgenre of older women featured as morally ambiguous leading ladies, are all such films (mostly U.S.) that came after that landmark release. The filmographic data includes cast, crew, reviews, synopses, and production notes, as well as recurring motifs and each role's effect on the star's career.

Este libro le dará al lector la oportunidad de despertar en su interior la necesidad de conocer la responsabilidad y requisitos de un buen líder en la iglesia, ya sean pastores, líder laicos, misioneros, o líderes de los varios ministerios sirviendo la congregación sin nunca perder el enfoque “Padre, Hijo y Espíritu Santo”. También les sirve a miembros y otros como le deben servir sus ministros y líderes. Todo se basa en la directa palabra de Dios en la Biblia y en las experiencias de la autora y su esposo como Pastores durante 40 años de servir en varias iglesias de habla hispana de feligreses provenientes de distintos países latinos. Cada uno de los trece capítulos es un tópico donde se expone un tema de importancia para el líder y lo reta en áreas donde necesita crecimiento o corrección. Contiene asuntos y situaciones reales cuáles indican una buena representación de lo que todavía se observa hasta hoy en día en las iglesias y como se puede enfrentar estas situaciones con el fin de desarrollar el mejor ambiente y liderazgo para poder hacer la iglesia madurar a sus miembros y jóvenes, ser los mejores discípulos posibles. Este libro será de gran bendición a todo lector.

Writers, editors, activists and prostitutes. Women along the US-Mexico border served in many more capacities than simply wives and mothers, though those were their primary roles. Historically, religion was the link between women and the written word. According to the editors of this volume, Mexican women—particularly those from the privileged classes—had access to secular reading beginning in the 1800s. In the late nineteenth and early twentieth centuries, several periodicals dedicated to the education of the “fairer sex” emerged. Though the male voice initially predominated, women began contributing poetry and essays to various publications and eventually became editors of their own magazines and newspapers. This collection of ten essays, based on the examination of publications from the US-Mexico region between 1850-1950, explores the role of women in print culture. Leading to a better understanding of women in the history of Mexican border life, the essays are organized in three thematic groupings: “Exploring the Archives: Women and Written Culture in Northeastern Mexico during the Late Nineteenth Century,” “The Cultural History of Women and Print Culture” and “A Transcultural View of Women and their Role as Activists in Northern Mexico and Texas.” The scholars who researched the archival collections of newspapers, magazines and other print matter write about a variety of topics, including the participation of women in the War of Independence (1810-1821) and the Mexican Revolution (1910-1920), the belief females were inferior and should not be educated outside the home and even the cultural history of prostitutes. Published as part of the Recovering the US Hispanic Literary Heritage project, this compendium of academic articles sheds light on women’s roles—especially as readers, writers and editors—in the Texas-Mexico border region in the late nineteenth and early twentieth centuries.

(Fake Book). The ultimate collection for Latin lovers everywhere! Over 350 standards in one Real Book collection, including: Adios * Agua De Beber (Water to Drink) * Aguas De Marco (Waters of March) * All That's Left Is to Say Goodbye (E Preciso Dizer Adeus) * Alma Con Alma * Always in My Heart (Siempre En Mi Corazon) * Amapola (Pretty Little Poppy) * Amor (Amor, Amor, Amor) * Antigua * Babalu * Besame Mucho (Kiss Me Much) * Bonita * Brazil * Call Me * Cast Your Fate to the Wind * Cherry Pink and Apple Blossom White * Con Alma * Copacabana (At the Copa) * Corazon Corazon * Desafinado * Don't Cry for Me Argentina * El Triste * Evil Ways * Feelings (?Dime?) * 500 Miles High * For Once in My Life * Frenesi * The Girl from Ipanema (Garota De Ipanema) * Granada * Himno Nacional Mexicano (Mexican National Hymn) * How Insensitive (Insensatez) * It's Impossible (Somos Novios) * Killer Joe * Kiss of Fire * La Bamba * La Malaguena * Little Boat * Livin' La Vida Loca * The Look of Love * Malaguena * Meditation (Meditacao) * More (Ti Guardero Nel Cuore) * Never on Sunday * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Oye Como Va * Paloma Blanca * Papa Loves Mambo * Perfidia * Por Amor * St. Thomas * Sway (Quien Sera) * Tico Tico (Tico Tico No Fuba) * Triste * Wave * What a Diff'rence a Day Made * and more!