Fontainbleu, outside Paris, is almost as far from country Australia - spiritually and geographically - as a schoolgirl can get. But that is where Margaret Isabel White, known as Daisy, found herself for the final years of her education. This intensely personal account of her teenage life has been thoughtfully annotated by editor Riviere.

Autofiction: A Female Francophone Aesthetic of Exile explores the multiple aspects of exile, displacement, mobility, and identity as expressed in contemporary autofictional work written in French by women writers from across the francophone world. Drawing on postcolonial theory, gender theory, and autobiographical theory, the book analyses narratives of exile by six authors who are shaped by their multiple locales of attachment: Kim Lef�vre (Vietnam/France), Gis�le Pineau (Guadeloupe/mainland France), Nina Bouraoui (Algeria/France), Mich�le Rakotoson (Madagascar/France), V�ronique Tadjo (C�te d'Ivoire/France), and Abla Farhoud (Lebanon/Quebec). In this way, the book argues that the French colonial past continues to mould female articulations of mobility and identity in the postcolonial present. Responding to gaps in the critical discourse of exile, namely gender, this book brings genre in both its forms - gender and literary genre - to bear on narratives of exile, arguing that the reconceptualization of categories of mobility occurs specifically in women's autofictional writing. The six authors complicate discussions of exile as they are highly mobile, hybrid subjects. This rootless existence, however, often renders them alienated and 'out of place'. While ensuring not to trivialize the very real difficulties faced by those whose exile is not a matter of choice, the book argues that the six authors experience their hybridity as both a literal and a metaphorical exile, a source of both creativity and trauma.

In The Politics of Exile, Bryan R. Washington connects contemporary critical theory to issues of race, gender, class, sexual orientation, and sexual repression in their works, including Daisy Miller, The Great Gatsby, Tender is the Night, Giovanni's Room, and Another Country.