Here are the full original texts of 150 of the best loved hymns in the English language. Each is accompanied by a fascinating commentary, giving biographical details of the author (such as the Calvinist creator of Rock of Ages who once calculated that the average human sins 2,522,880,000 times); notes on the circumstances in which the hymn was written; and variant versions. Each hymn is prefaced by an urbanely written and agreeably subjective commentary with a wealth of anecdotes and a few ribald parodies. This charming book should also be required reading for all those responsible for choosing hymns in church. Ian Bradley writes with wit, elegance and charm and is quite exceptionally knowledgeable about his subject.

The Penguin Book of English Song anthologizes the work of 100 English poets who have inspired a host of different composers (some English, some not) to write vocal music. Each of the chapters, arranged chronologically from Chaucer to Auden, opens with a precis of the poet's life, work and, often, approach to music. Richard Stokes's notes and commentaries constantly illuminate the language and themes of the poems and their settings in unexpected ways. An awareness of how Ben Jonson based his famous poem 'Drinke to me, onely, with thine eyes' on a Greek original, for example, increases our enjoyment of both the poem and the traditional song; knowledge of Thomas Hardy's relationships with women deepens our appreciation of songs by Ireland, Finzi, Britten and others; Charles Dibdin's 'Tom Bowling', played each year at the Last Night of the Proms, takes on a deeper resonance when we know that it was written after the death of his brother Tom, a sea captain struck by lightning in the Indian Ocean. Many composers of different nationalities appear, but the book remains quintessentially British, and includes pieces that have an established place in our national consciousness: 'Rule, Britannia' (James Thomson), 'Abide with me' (Henry Francis Lyte), 'Auld lang syne' (Robert Burns), 'Jerusalem' (William Blake), 'Once in royal David's city' (Mrs C. F. Alexander), and even 'Twinkle, twinkle, little star' (Jane Taylor). The poems are printed in their original versification and spelling, enabling us to trace the development of the English language as the book progresses. The volume presents a huge amount of information about English Song that will enlighten all those who delight in the fusion of words and music. The presence of minor as well as major poets and the unique principle of selection make The Penguin Book of English Song a highly original anthology of English verse.

A fascinating journey through the history of "Amazing Grace," one of the transatlantic world's most popular hymns and a powerful anthem for humanity. Sung in moments of personal isolation or on state occasions watched by millions, "Amazing Grace" has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway over millions in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation. The greatest paradox is that the author of "Amazing Grace," John Newton, was a former Liverpool slave captain. Walvin follows the song across the Atlantic to track how it became part of the cause for abolition and galvanized decades of movements and trends in American history and popular culture. By the end of the twentieth century, "Amazing Grace" was performed in Soweto and Vanuatu, by political dissidents in China, and by Kikuyu women in Kenya. No other song has acquired such global resonance as "Amazing Grace," and its fascinating history is well worth knowing.

Arthur Sullivan is best known as W. S. Gilbert's collaborator in the Savoy Operas. Sullivan was regarded as the nation's leading composer of sacred oratorios on a par with Mendelssohn and Brahms. Ian Bradley provides the first detailed, comprehensive, critical study and review of Sullivan's church and sacred music.

Water has long been associated with the magical, the mysterious and the divine. From sacred springs to holy wells, and from hydropathic cures and temperance reform to the modern spa, Ian Bradley explores how water's creative, health-giving and restorative powers have been conceived, worshipped and marketed in an essentially spiritual way. In pre-Christian times, springs and rivers were seen as the dwelling places of deities with magical life-giving and curative powers, associated especially with the feminine and with ritual cleansing and rebirth. With the coming of Christianity, water was incorporated into Christian ritual and tradition through baptism and the cult of holy wells. From the 16th century onwards, the benefits of water came to be seen more in terms of therapeutic healing than the miraculous. Through the development of drinking and bathing cures, spas and hydrotherapy, a more scientific but still essentially spiritual understanding of the curative properties of water was developed. By the eighteenth century, spas and watering places had acquired their own enchanted and mysterious qualities, in many ways taking the place of medieval pilgrim shrines. Now, a new, more hedonistic kind of pilgrim comes to modern spas to experience a potent post-modern elixir of self-oriented well-being.

In this highly accessible, passionately argued and scholarly book, Ian Bradley presents fundamentalism, born a hundred years ago in the United States of America, as the great twentieth-century heresy and aberration. He identifies and seeks to reclaim for the twenty first century a liberal theological tradition existing in Christianity, Islam, Judaism and the other major world faiths. This liberal heart is found in their scriptures and was often to the fore in their foundational stages but has more recently been overlaid with conservative reaction, fundamentalism and fear. He defines this liberal theology in terms of the four values of grace, order, openness and diversity which he suggests can be read by Christians as key attributes of the three persons of the Trinity and of God in Trinity as a whole. This book counters the growing influence of narrow, exclusive judgemental religious conservatism with a powerful reassertion of the liberal gospel of God's grace, goodness and generosity.