"Anyone who has spent time in Russia knows the importance of 'going to the dacha.' In this ethnography Melissa Caldwell reveals the mystique of rural life by exploring the social nature of gardening and making food, and Russian relationships to the land. It's truly an innovative study!"--Catherine Wanner, author of Communities of the Converted: Ukrainians and Global Evangelism "In this engaging ethnography, Melissa Caldwell brilliantly demonstrates what is peculiarly Russian about the dacha, long an object of literary and nostalgic imagining, while simultaneously situating the 'vacation cottage' within larger histories of leisure, consumption, home, and post-socialist transition. A must-read for scholars of Russia or tourism."--Pamela Ballinger, author of History in Exile: Memory and Identity at the Borders of the Balkans

This essay anthology explores the intersection of gender, food and culture in post-1960s Soviet life from personal cookbooks to gulag survival. Seasoned Socialism considers the relationship between gender and food in late Soviet daily life, specifically between 1964 and 1985. Political and economic conditions heavily influenced Soviet life and foodways during this period and an exploration of Soviet women’s central role in the daily sustenance for their families as well as the obstacles they faced on this quest offers new insights into intergenerational and inter-gender power dynamics of that time. Seasoned Socialism considers gender construction and performance across a wide array of primary sources, including poetry, fiction, film, women’s journals, oral histories, and interviews. This collection provides fresh insight into how the Soviet government sought to influence both what citizens ate and how they thought about food.

Why We Eat, How We Eat maps new terrains in thinking about relations between bodies and foods. With the central premise that food is both symbolic and material, the volume explores the intersections of current critical debates regarding how individuals eat and why they eat. Through a wide-ranging series of case studies it examines how foods and bodies both haphazardly encounter, and actively engage with, one another in ways that are simultaneously material, social, and political. The aim and uniqueness of this volume is therefore the creation of a multidisciplinary dialogue through which to produce new understandings of these encounters that may be invisible to more established paradigms. In so doing, Why We Eat, How We Eat concomitantly employs eating as a tool - a novel way of looking - while also drawing attention to the term 'eating' itself, and to the multiple ways in which it can be constituted. The volume asks what eating is - what it performs and silences, what it produces and destroys, and what it makes present and absent. It thereby traces the webs of relations and multiple scales in which eating bodies are entangled; in diverse and innovative ways, contributors demonstrate that eating draws into relationships people, places and objects that may never tangibly meet, and show how these relations are made and unmade with every mouthful. By illuminating these contemporary encounters, Why We Eat, How We Eat offers an empirically grounded richness that extends previous approaches to foods and bodies.

More than half of the world’s population lives in cities. What are their lives like in very different global and globalizing cities? How can urban anthropologists study and understand the diverse and complex experiences of urban dwellers all over the globe? The latest edition of Urban Life explores questions about how to study urban lives and examines experiences of urban inhabitants in cities across the globe. Authors ask questions such as, how can one study the activities in a huge fish market in Tokyo? How do elderly residents benefit from urban agriculture in New York City? How do people maneuver ever-present traffic jams in Istanbul? How do low-income residents in Cairo manage their lives drawing on neighborhood social networks? How do immigrants fight for green spaces in Paris? How do families manage transnational ties between New York City and Ecuador? The book is organized into six parts: Urban Fieldwork; Communities; Urban Structure, Inequality, and Survival; Immigrants, Migrants, and Refugees; Changing Cities; and Current Topics in Urban Anthropology. The last part addresses issues at the forefront of anthropological research and broader political debates, like environmental justice, disability and accessibility, and access to water supplies. Each part includes an introduction and each chapter is preceded by notes about its context and relevance. The rich ethnographic content of the chapters makes them highly accessible to students while addressing relevant topics and themes.

"Fragile, gritty, and vital to an extraordinary degree, St Petersburg is one of the world's most alluring cities - a place in which the past is at once ubiquitous and inescapably controversial. This book shows how creative engagement with the past has always been fundamental to St Petersburg's residents"--From front jacket flap.

Why do elderly choose to move away from their children so as to not receive their support? Using a number of case studies, contributors explore social support as a tool of mutuality, or maintaining relatedness and sharing feelings, rather than preventing or patching up problems. This book helps correct the dominant framework of deliberate action.

Traversing is about our ways of seeing, experiencing, and moving through the world and how they shape the kinds of people we become. Drawing from concepts developed by two phenomenological philosophers, Martin Heidegger and Jan Patočka, and putting them in conversation with ethnographic analysis of the lives of contemporary Czechs, Susanna Trnka examines how embodiment is crucial for understanding our being-in-the-world. In particular, Traversing scrutinizes three kinds of movements we make as embodied actors in the world: how we move through time and space, be it by walking along city streets, gliding across the dance floor, or clicking our way through digital landscapes; how we move toward and away from one another, as erotic partners, family members, or fearful, ethnic "others"; and how we move toward ourselves and the earth we live on. Above all, Traversing focuses on tracing the ways in which the body and motion are fundamental to our lived experience of the world, so we can develop a better understanding of the empirical details of Czech society and what they can reveal to us about the human condition.