THEY FLEW LOW, SLOW, AND INTO THE FACE OF ENEMY FIRE... In Vietnam, an elite group of air force pilots fought a secret air war in Cessna 0-2 and OV-10 Bronco prop planes-flying as low as they could get. The eyes and ears of the fast-moving jets who rained death and destruction down on enemy positions, the forward air controller made an art form out of an air strike-knowing the targets, knowing where friendly troops were, and reacting with split-second, life and death decisions as a battle unfolded. For Tom Yarborough, the risk was constant, intense, electrifying. A member of the super secret Prairie Fire unit, Yarborough became one of the most frequently shot-up pilots flying out of Da Nang-engaging in a series of dangerous secret missions in Laos. This is Yarborough's adrenaline-pumping chronicle of heroism, danger, and brotherhood in Vietnam. From the rescuing of downed pilots to taking out enemy positions, to the most harrowing day-long missions, here is the dedication, courage, and skill of the fliers who took the war into the enemy's backyard...

The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.

Military Writers Society of America Gold Medal BEST MEMOIR OF 2014. Originally published in 1990, this classic work has now been revised and updated with 50,000 words of additional narrative and previously unpublished photos. It is the story of how, in Vietnam, an elite group of Air Force pilots fought a secret air war in Cessna 0-2 and OV-10 Bronco prop planes--flying as low as they could get. The eyes and ears of the fast-moving jets who rained death and destruction down on enemy positions, the Forward Air Controller made an art form out of an air strike--knowing the targets, knowing where friendly troops were, and reacting with split-second, life and death decisions as a battle unfolded. The expertise of the low, slow FACs, as well as the hazard attendant to their role, made for a unique birds-eye perspective on how the entire war in Vietnam unfolded. For Tom Yarborough, who logged 1,500 hours of combat flying time, the risk was constant, intense and electrifying. A member of the super-secret "Prairie Fire" unit, Yarborough became one of the most frequently shot-up pilots flying out of Da Nang--engaging in a series of dangerous secret missions in Laos. In this work, the reader flies in the cockpit alongside Yarborough in his adrenaline-pumping chronicle of heroism, danger and wartime brotherhood. From the rescuing of downed pilots to taking out enemy positions, to the most harrowing extended missions directly overhead of the NVA, here is the dedication, courage and skill of the fliers who took the war into the enemy's backyard. Colonel Tom Yarborough, USAF (ret.) served in the Air Force for thirty years in a variety of flying and staff assignments. A command pilot, during his two Vietnam tours as a forward air controller, he earned thirty combat decorations, including the Silver Star, Distinguished Flying Cross, Purple Heart, Air Medal, and the Vietnamese Cross of Gallantry. He currently lives in Springfield, Virginia, where he maintains ties to the academic community as an adjunct history professor at Northern Virginia Community College.

Carolina Maria de Jesus' book, Quarto de Despejo (The Trash Room), depicted the harsh life of the slums, but it also spoke of the author's pride in her blackness, her high moral standards, and her patriotism. More than a million copies of her diary are believed to have been sold worldwide. Yet many Brazilians refused to believe that someone like de Jesus could have written such a diary, with its complicated words (some of them misused) and often lyrical phrasing as she discussed world events. Doubters prefer to believe the book was either written by Audáulio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. With the cooperation of de Jesus' daughter, recent research shows that although Dantas deleted considerable portions of the diary (as well as a second one), every word was de Jesus'. But Dantas did "create" a different Carolina from the woman who coped with her harsh life by putting things down on paper. This book sets the record straight by providing detailed translations of de Jesus' unedited diaries and explains why Brazilian elites were motivated to obscure her true personality and present her as something she was not. It is not only about the writer but about Brazil as recorded by her sarcastic pen. The diary entries in this book span from 1958 to 1966, five years beyond text previously known to exist. They show de Jesus as she was, preserving her Joycean stream-of-consciousness language and her pithy characterizations.

The Diary of Oral Admonitions (Kouduo richao) is an invaluable mirror of early Chinese Christianity, as it stands out as the only source that allows a glimpse of Jesuit missionary practice in China on a local level - "accommodation in action" - and of the various responses of the Chinese audience, both converts and interested outsiders. It is a compilation of some five hundred notes "about everything" made by Li Jiubiao and other Christian literati during their conversations with Jesuit missionaries in Fujian between 1630 and 1640. These notes are arranged in chronological order and divided into eight books. The most important Western protagonist in the Diary is the Italian Jesuit Giulio Aleni (1589-1642), called "Master Ai (Rulüe)" in Chinese. The present study and translation of the Diary of Oral Admonitions can be seen as a companion volume to the proceedings of an international conference that was held on Aleni in his native place Brescia in 1994, also published in the Monumenta Serica Monograph Series XLII: "Scholar from the West." Giulio Aleni S.J. (1582-1649) and the Dialogue between China and Christianity, 1997. The present work in two volumes is meant to be a tool for further research. Volume 1 presents a comprehensive introduction to the Diary and its historical context, followed by the annotated translation, both by Erik Zürcher (Leiden), a renown specialist for the study of Christianity in China. It is enhanced by illustrations, partly in colour, and maps. Volume 2 includes a facsimile of the Chinese text (reproducing a copy held in the Roman Archives of the Society of Jesus), a bibliography of Chinese and Western sources as well as secondary literature, and an analytical index with glossary that will enable the reader to trace specific data in the text.

With this travel journal, readers can retrace Robert Langdon's footsteps and experience the mysteries that propel The DaVinci Code, the world's most popular novel.

The voyage of Vasco da Gama to India (1497-1499) was one of the seminal events of the Renaissance period. An anonymous Journal kept by a member of his fleet has long served as the main documentary source for accounts of this voyage. Strangely, there has only been one English translation of this important document, published more than a century ago. This book provides a new, updated English translation of the Journal with extensive editorial notes and appendices which encompass and reflect changes in the historiography over the last century on Vasco da Gama and his first voyage. In doing so, it examines initial Portuguese impressions when confronted by the cultures of Africa and India during this period.