Henri Matisse is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; and drawings and colour.

The world is so much more than it seems! With only paper, scissors, a camera, and his vivid imagination, globe-hopping artist Paperboyo transforms real iconic landmarks and settings around the world into works of art and amusement by just holding up a cutout and snapping a photo. Here is New York's Guggenheim Museum as a flowerpot, the Eiffel Tower sporting butterfly wings, a giant octopus peeking its tentacles out of the Roman Colosseum, and nearly a hundred more images of wonder and humor. Featuring favorites from his wildly popular Instagram feed plus many never-before-seen delights, entertaining captions, behind-the-scenes, and cutouts for readers to make their own images, Around the World in Cutouts encourages a different and delightful view of the world around us.

If you want to discover the fun of collage then this fabulous book is the perfect kit. Collage artist Maria Rivans has gathered hundreds of beautiful, quirky, and downright daft images, and they're all here for you to cut out and stick. Flowers, birds, cats, and butterflies can be combined with buildings, eyes, moustaches, and catalog models in dubious pants to create extraordinary original artworks and talking pieces! Maria provides an introduction to collage styles and tips on technique. An ideal activity for young and old, this book is a perfect gift or self-purchase for anyone seeking arty fun and a great deal of sticky silliness!

WINNER OF THE COSTA BOOK OF THE YEAR 2018 WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2018 'A masterpiece of history and memoir' Evening Standard 'Superb. This is a necessary book - painful, harrowing, tragic, but also uplifting' The Times __________________________________________________ Little Lien wasn't taken from her Jewish parents in the Hague - she was given away in the hope that she might be saved. Hidden and raised by a foster family in the provinces during the Nazi occupation, she survived the war only to find that her real parents had not. Much later, she fell out with her foster family, and Bart van Es - the grandson of Lien's foster parents - knew he needed to find out why. His account of tracing Lien and telling her story is a searing exploration of two lives and two families. It is a story about love and misunderstanding and about the ways that our most painful experiences - so crucial in defining us - can also be redefined. ___________________________________________________ 'Luminous, elegant, haunting - I read it straight through' Philippe Sands, author of East West Street 'Deeply moving. Writes with an almost Sebaldian simplicity and understatement' Guardian 'Sensational and gripping . . . shedding light on some of the most urgent issues of our time' Judges of the Costa Book of the Year 2018

Part biographical vignette, part activity guide, this book explores Matisse's life and the circumstances that led to his paper cutouts. Readers then get a step-by-step guide to creating their own Matisse-style collages. Full color.

When Henri Matisse (1869-1954) was forced to give up painting completely in the mid-1940s due to a serious illness, he began to work with painted paper and a pair of scissors, cutting out forms at will. These works represented a revolution in modern art. Matisse - a remarkable man who was scarcely able to leave his bed and already considered lost to the world of painting - had thus found a way of outsmarting fate and creating a perfect synthesis of colour and line. Many critics at the time were unstinting in their cruel remarks about the supposed foolishness of an old man. Today, no one would deny that Matisse had found a brilliant means of uniting line and colour that constituted a highpoint in his artistic ambitions.--