From Simon & Schuster, Currents of Death is Paul Brodeur's exploration of power lines, computer terminals, and the attempt to cover up their threat to your health. Paul Brodeur is a longtime staff writer at The New Yorker magazine and is the author of eight previous books. In his latest work, Currents of Death explores the threat to public health from power lines.

One of the most impressive facts about death today is how much and in how many different ways various aspects of death and dying are undergoing dramatic changes. Edwin Shneidman has compiled this volume to give the reader a broad-ranging view of current trends in thanatology. The result is a remarkable compendium of pertinent insights upon which to build an understanding of death in our time - death as it relates to our comprehension of ourselves and our fellow beings. Edwin S. Shneidman, Ph. D., was Professor of Thanatology (the study of death and its surrounding circumstances, as in forensic medicine) and Director of the Laboratory for the Study of Life-Threatening Behavior at the University of California at Los Angeles.

A true story of hockey heartbreak, tragedy, and triumph. Limited time offer. Sudden Death brings to life the incredible ongoing saga of the Swift Current Broncos hockey team. After a tragic game-day bus accident on December 30, 1986, left four of its star players dead, the first-year Western Hockey League team was faced with nearly insurmountable odds against not only its future success but its very survival. The heartbreaking story made headlines across North America, and the club garnered acclaim when it triumphantly rebounded and won the Canadian Hockey League’s prestigious Memorial Cup in 1989. Many of the surviving Broncos continued their successful hockey careers in the NHL, among them 2012 Hockey Hall of Famer Joe Sakic, Sheldon Kennedy, and Sudden Death co-author Bob Wilkie. Years later the Broncos’ tragedy-to-triumph tale was overshadowed when the team’s former coach, Graham James, was convicted of sexual assault against Sheldon Kennedy, Theoren Fleury, and Todd Holt, all of whom played for him.

On his way to baseball practice, Zeke lines up for Vancouver's newest thrill ride: Death Drop, an elevator that falls faster than gravity. The theme of the ride is based on the story of Persephone, who tumbled into the underworld. Zeke tumbles into a frightening situation himself after he discovers a little girl who is lost. He takes her to the Death Drop manager's office. But later, when he tries to find out what happened with her, the ride's staff say they never saw her! To find the missing girl, Zeke must navigate a devilish plot that includes Dante Gabriel Rossetti's famous painting Proserpine, a fiery drop into flames, and an angry coach. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.

When his teenaged son Christopher, brain-damaged in an auto accident, developed a 106-degree fever following weeks of unconsciousness, John Campbell asked the attending physician for help. The doctor refused. Why bother? The boy's life was effectively over. Campbell refused to accept this verdict. He demanded treatment and threatened legal action. The doctor finally relented. With treatment, Christopher's temperature subsided almost immediately. Soon afterwards he regained consciousness and today he is learning to walk again. This story is one of many Wesley Smith recounts in his groundbreaking new book, The Culture of Death. Smith believes that American medicine ''is changing from a system based on the sanctity of human life into a starkly utilitarian model in which the medically defenseless are seen as having not just a 'right' but a 'duty' to die.'' Going behind the current scenes of our health care system, he shows how doctors withdraw desired care based on Futile Care Theory rather than provide it as required by the Hippocratic Oath. And how ''bioethicists'' influence policy by considering questions such as whether organs may be harvested from the terminally ill and disabled. This is a passionate, yet coolly reasoned book about the current crisis in medical ethics by an author who has made ''the new thanatology'' his consuming interest.

An examination of the ways major novels by Marcel Proust, James Joyce, and Virginia Woolf draw attention to their embodiment in the object of the book, The Death of the Book considers how bookish format plays a role in some of the twentieth century’s most famous literary experiments. Tracking the passing of time in which reading unfolds, these novels position the book’s so-called death in terms that refer as much to a simple description of its future vis-à-vis other media forms as to the sense of finitude these books share with and transmit to their readers. As he interrogates the affective, physical, and temporal valences of literature’s own traditional format and mode of access, John Lurz shows how these novels stage intersections with the phenomenal world of their readers and develop a conception of literary experience not accounted for by either rigorously historicist or traditionally formalist accounts of the modernist period. Bringing together issues of media and mediation, book history, and modernist aesthetics, The Death of the Book offers a new and deeper understanding of the way we read now.

The phrase, ""the Culture of Death"", is bandied about as a catch-all term that covers abortion, euthanasia and other attacks on the sanctity of life. In Architects of the Culture of Death, authors Donald DeMarco and Benjamin Wiker expose the Culture of Death as an intentional and malevolent ideology promoted by influential thinkers who specifically attack Christian morality's core belief in the sanctity of human life and the existence of man's immortal soul. In scholarly, yet reader-friendly prose, DeMarco and Wiker examine the roots of the Culture of Death by introducing 23 of its architects, including Ayn Rand, Charles Darwin, Karl Marx, Jean-Paul Sartre, Alfred Kinsey, Margaret Sanger, Jack Kevorkian, and Peter Singer. Still, this is not a book without hope. If the Culture of Death rests on a fragmented view of the person and an eclipse of God, the future of the Culture of Life relies on an understanding and restoration of the human being as a person, and the rediscovery of a benevolent God. The personalism of John Paul II is an illuminating thread that runs through Architects, serving as a hopeful antidote.