This reader collects together articles by key historians, literary critics and anthropologists on the cultures of colonialism in the British Empire in the 19th and 20th centuries. It is divided into three sections: theoretical, emphasizing approaches; the colonisers "at home"; and "away".

This book investigates perceptions, modes, and techniques of Venetian rule in the early modern Eastern Mediterranean (1400–1700). Against the backdrop of the controversial notion of the Venetian realm as a colonial empire, essays from a range of specialists examine how Venice negotiated control over the territories, resources, and traditions of different empires (Byzantine, Roman, Mamluk, Ottoman) while developing its own claims of authority. Focusing in particular on questions of belonging and status in the Venetian overseas territories, the volume incorporates observations on the daily realities of Venetian rule: how did Venice negotiate claims of authority in light of former and ongoing imperial belongings? What was the status of colonial subjects and ships in the metropolis and in foreign territories? In what ways did Venice accept and continue old forms of imperial belonging? Did subordinate entities join in a shared communal identity? The volume opens new perspectives on Venetian rule at the crossroads of empire and early modern statehood: a polity negotiating and entangling empire. Contributors are Housni Alkhateeb Shehada, Georg Christ, Giacomo Corazzol, Nicholas Davidson, Renard Gluzman, Deborah Howard, David Jacoby (z’’l), Marianna Kolyvà, Franz-Julius Morche, Reinhold C. Mueller, Monique O’Connell, Gerassimos D. Pagratis, Tassos Papacostas, Maria Pia Pedani (†), Dorit Raines, and E. Natalie Rothman.

This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.

This reader collects together articles by key historians, literary critics and anthropologists on the cultures of colonialism in the British Empire in the 19th and 20th centuries. It is divided into three sections: theoretical, emphasizing approaches; the colonisers "at home"; and "away".

Culture, Empire, and the Question of Being Modern explores the problematic formation of national culture within modern English society. In this ambitious work of post-colonial and cultural theory, C. J. Wan-ling Wee investigates the complex interaction between a modern, industrialized, metropolitan, and progressively rational English national culture and a nationalistic imperial discourse interested in territorial expansion and the valorization of an idealized agrarian past. Starting with the Victorian era, the work documents the complex relationship of concepts such as 'home' and 'frontier' and 'EnglishO and 'colonial' through an analysis of key literary-cultural figures in their historical contexts: Rudyard Kipling, Charles Kingsley, T.S. Eliot, and V.S. Naipaul. Wee brings the discussion of modernity into the present with a consideration of post-imperial Singapore--a neo-traditionalist modern society that reworks many of the colonial tropes and contradictions--to investigate the ambiguities and contradictions revealed in the West's engagement with modernity.

Queer Theory: Law, Culture, Empire uses queer theory to examine the complex interactions of law, culture, and empire. Building on recent work on empire, and taking contextual, socio-legal, comparative, and interdisciplinary approaches, it studies how activists and scholars engaged in queer theory projects can unwittingly advance imperial projects and how queer theory can itself show imperial ambitions. The authors – from five continents – delve into examples drawn from Bollywood cinema to California’s 2008 marriage referendum. The chapters view a wide range of texts – from cultural productions to laws and judgments – as regulatory forces requiring scrutiny from outside Western, heterosexual privilege. This innovative collection goes beyond earlier queer legal work, engaging with recent developments, featuring case studies from India, South Africa, the US, Australasia, Eastern Europe, and embracing the frames offered by different disciplinary lenses. Queer Theory: Law, Culture, Empire will be of particular interest to students and researchers in the fields of socio-legal studies, comparative law, law and gender/sexuality, and law and culture.

EMPIRE, STATE, AND SOCIETY “This book captures the broad-sweep of modern British history. Bronstein and Harris’s narrative is distinguished by its comprehensive coverage, readability, and sure judgment. It is an excellent book.” James Epstein, Vanderbilt University “This is a well-structured and gracefully written textbook that undergraduates at American universities and colleges should find highly accessible. It integrates recent scholarly trends into a compelling narrative that brings together metropolitan and imperial themes. These themes are illuminated by well-chosen anecdotes that make them come alive. Bronstein and Harris have provided an excellent introduction to modern Britain and its Empire, and one that deserves a wide readership.” Phil Harling, University of Kentucky In the nineteenth century, Great Britain was a world-recognized superpower. Tremendous economic growth fostered a daunting formal empire, global networks of trade and investment, and a formidable military. By the late twentieth century this position of dominance had eroded significantly under the stress of two world wars, rising nationalist movements, shifting geopolitics, and the transformation to a post-industrial economy. As Britain adjusts to her new place in the post-colonial world, Empire, State, and Society assesses the external and internal forces behind these transformations. The authors draw on the most recent scholarship to give due importance to social, economic, and cultural changes as well as politics and international diplomacy. Divided into chapters both chronologically and thematically, Empire, State, and Society enables detailed exploration of issues such as race, gender, religion, and the environment. In doing so, the book provides an accessible, comprehensive, and balanced introduction to British history.