This book is an interdisciplinary collection of essays that delves beneath the media headlines about the “migration crisis”, Brexit, Trump and similar events and spectacles that have been linked to the intensification and proliferation of stereotypes about migrants since 2015. Topics include the representations of migration and stereotypes in citizenship ceremonies and culinary traditions, law and literature, and public history and performance. Bringing together academics in the arts, humanities and social sciences, as well as artists and theatre practitioners, the collection equips readers with new methodologies, keywords and collaborative research tools to support critical inquiry and public-facing research in fields such as Theatre and Performance Studies, Cultural and Migration Studies, and Applied Theatre and History.

Culture, Literature and Migration gives us a unique insight into the emotional and physical experiences of immigrants. By shedding light on the challenges of the plight, the chapters in this book raise awareness of the global scale of the crisis and reduces hostility towards the displaced as a result of a better understanding of that which is often left unspoken of and unheard of. The distinctiveness of voluntary and involuntary immigration is brought forward and contextualized in order to emphasise the trauma of forced departure and the often forgotten psychological complications of the host nation. With such matters arising, there is an ultimate return to notions of hegemony, colonialism, otherness, hybridity and citizenship. New understandings of identity, nationalism and multiculturalism are explored in context of transnationalism and multiculturalism. Culture, Literature and Migration critically analyzes the transformation of the immigrant and highlights the importance of hope and the power of inclusiveness in a fragmented global environment. Content Introduction – Ali Tilbe and Rania M Rafik Khalil Chapter 1 – The Bildungsroman and Building a Hybrid Identity in the Postcolonial Context: Migration as Formative Experience in Monica Ali’s Brick Lane Petru Golban and Derya Benli Chapter 2 – The Migrant Female Writer, Originally from Muslim Country in the Literary Field: A Sociological Approach Francesco Bellinzis Chapter 3 – Migration, Integration and Power. The Image of “the Dumb Swede” in Swede Hollow and the Image of Contemporary New Swedes in One Eye Red and She Is Not Me Maria Bäcke Chapter 4 – Coerced Migration, Migrating Rhetoric: The ‘Forked Tongue’ of Native American Removal Policy in the Nineteenth-Century United States Estella Ciobanu Chapter 5 – The Migrant Hero’s Boundaries of Masculine Honour Code in Elif Shafak’s Honour Tatiana Golban Chapter 6 – Literary Representations of Progressive Era Lithuanian Immigrants in the United States and the Question of Genre: Upton Sinclair’s The Jungle (1906) Cansu Özge Özmen Chapter 7 – Migration, Maturation and Identity Crisis in Abani’s Select Novels: A Postcolonial Reading Bernard Dickson and Chinyere Egbuta

This volume seeks to investigate the representation of the migrant and migration in literary texts and the arts. Through studies that examine works in a range of art forms ‒ novels, theatre, poetry, creative non-fiction, documentary films and performance and video installations ‒ that evoke a variety of historical and (trans)national contexts, the volume focuses on the question of the roles of literature and the arts in representing migration. An important issue considered is the extent to which artistic figuration can act as a counterpoint to social discourse on migrants that often involves stereotypes and reductive views. The different contributions to the volume illustrate that literature and the arts can provide readers and viewers with a space for fluid knowledge production and affective expansion and that within that overarching function, artistic works play three main roles with regard to representing migration: undertaking a socio-political and cultural critique, presenting alternative views to stereotypes that highlight the singularity and complexity of the migrant and providing proposals for different futures.

Around the globe, people leave their homes to better themselves, to satisfy needs, and to care for their families. They also migrate to escape undesirable conditions, ranging from a lack of economic opportunities to violent conflicts at home or in the community. Most studies of migration have analyzed the topic at either the macro level of national and global economic and political forces, or the micro level of the psychology of individual migrants. Few studies have examined the "culture of migration"—that is, the cultural beliefs and social patterns that influence people to move. Cultures of Migration combines anthropological and geographical sensibilities, as well as sociological and economic models, to explore the household-level decision-making process that prompts migration. The authors draw their examples not only from their previous studies of Mexican Oaxacans and Turkish Kurds but also from migrants from Europe, sub-Saharan Africa, the Pacific, and many parts of Asia. They examine social, economic, and political factors that can induce a household to decide to send members abroad, along with the cultural beliefs and traditions that can limit migration. The authors look at both transnational and internal migrations, and at shorter- and longer-term stays in the receiving location. They also consider the effect that migration has on those who remain behind. The authors' "culture of migration" model adds an important new dimension to our understanding of the cultural beliefs and social patterns associated with migration and will help specialists better respond to increasing human mobility.

Migration and Literature offers a thought-provoking analysis of the thematic and formal role of migration in four contemporary and canonized novelists.

Capturing the important place and power role that culture plays in the decision-making process of migration, this Handbook looks at human movement outside of a vacuum; taking into account the impact of family relationships, access to resources, and security and insecurity at both the points of origin and destination.

Cultural Identity in Arabic Novels of Immigration: A Poetics of Return offers a new perspective of migration studies that views the concept of migration in Arabic as inherently embracing the notion of return. Starting the study with the significance of the Islamic hijra as the quintessential migrant narrative in Arabic culture, Elmeligi offers readings of Arabic narratives as early as Ibn Tufayl’s Hayy ibn Yaqzan and as recent asMiral Al-Tahawy’s 2010 Brooklyn Heights, and asvaried as Egyptian novelist Naguib Mahfouz’s short story adaptation of the ancient Egyptian Tale of Sinuhe and Yemeni novelist Mohammed Abdl Wali’s They Die Strangers, includingnovels that have not been translated in English before, such as Sonallah Ibrahim’s Amrikanli and Suhayl Idris’ The Latin Quarter. To contextualize these narratives, Elmeligi employs studies of cultural identity and their features that are most impacted by migration. In this study, Elmeligi analyzes the different manifestations of return, whether physical or psychological, commenting not only on the decisions that the characters take in the novels, but also the narrative choices that the writers make, thus viewing narrativity as a form of performativity of cultural identity as well. The book addresses fresh angles of migration studies, identity theory, and Arabic literary analysis that are of interest to scholars and students.