This book showcases a unique collection of the National Gallery of Australia. During the early 1970s an impressive array of traditional arts through a program of field collecting on the Islands of Ambrym and Malakula. Central to many traditional practices, better known as 'Kastom', are masked performances and displays of sculpture including iconic upright slit drums.

The South Pacific archipelago of Vanuatu simultaneously experienced the two major types of colonialism of the modern era (British and French), the only instance in which these colonial powers jointly ruled the same people in the same territory over an extended period of time. This, in addition to its small size and recent independence (1980), makes Vanuatu an ideal case study of the clash of contemporary colonialism and its enduring legacies. At the same time, the uniqueness of Melanesian society highlights the singular role of indigenous culture in shaping both colonial and postcolonial political reality. With its close attention to global processes, Bridging Mental Boundaries in a Postcolonial Microcosm provides a fresh comparative approach to an island state that has most frequently been examined from an ethnographic or area studies perspective. William F. S. Miles looks at the long-term effects of the joint Franco-British administration in public policy, political disputes, and social cleavages in post-independence Vanuatu. He emphasizes the strong imprint left by "condocolonialism" in dividing ni-Vanuatu into "Anglophones" and "Francophones," but also suggest how this basic division is being replaced (or overlaid) by divisions based on urban or rural residence, "traditional" or "modern" employment, and disparities between the status and activities of men and women. As such, this volume is more than an analysis of a unique case of colonialism and its effects; it is an interpretation of the evolution of an insular society beset by particularly convoluted precolonial, colonial, and postcolonial fractures. Based principally on research conducted in 1991 and, following a key change in Vanuatu's government, a subsequent visit in 1992, the analysis is enriched by regular comparisons between Vanuatu and other colonized societies where the author has carried out original research, including Niger, Nigeria, Martinique, and Pondicherry. Extensive interviews with ni-Vanuatu are integrated throughout the text, presenting islanders' views of their own experience.

The story of ethnographic collecting is one of cross-cultural encounters. This book focuses on collecting encounters in the Kamoro region of Papua from the earliest collections made in 1828 until 2011. Exploring the links between representation and collecting, the author focuses on the creative and pragmatic agency of Kamoro people in these collecting encounters. By considering objects as visualizations of social relations, and as enactments of personal, social or historical narrative, this book combines filling a gap in the literature on Kamoro culture with an interest in broader questions that surround the nature of ethnographic collecting, representation, patronage and objectification.

Indigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. This book looks to the future of museum practice through examining how these museums have evolved to incorporate the present and the future in the display of culture.

Traditional knowledge systems are also innovation systems. This book analyses the relationship between intellectual property and indigenous innovation. The contributors come from different disciplinary backgrounds including law, ethnobotany and science. Drawing on examples from Australia, New Zealand and the Pacific Islands, each of the contributors explores the possibilities and limits of intellectual property when it comes to supporting innovation by indigenous people.

This volume examines the dynamics of socio-political order in post-colonial states across the Pacific Islands region and West Africa in order to elaborate on the processes and practices of peace formation. Drawing on field research and engaging with post-liberal conceptualisations of peacebuilding, this book investigates the interaction of a variety of actors and institutions involved in the provision of peace, security and justice in post-colonial states. The chapters analyse how different types of actors and institutions involved in peace formation engage in and are interpenetrated by a host of relations in the local arena, making ‘the local’ contested ground on which different discourses and praxes of peace, security and justice coexist and overlap. In the course of interactions, new and different forms of socio-political order emerge which are far from being captured through the familiar notions of a liberal peace and a Weberian ideal-type state. Rather, this volume investigates how (dis)order emerges as a result of interdependence among agents, thus laying open the fundamentally relational character of peace formation. This innovative relational, liminal and integrative understanding of peace formation has far-reaching consequences for internationally supported peacebuilding. This book will be of much interest to students of statebuilding, peace studies, security studies, governance, development and IR.