Culture in Israel is dynamic. Like in America or in Europe, pop culture, though rooted in history, is ever-changing and evolving. In many countries, culture is influenced by the neighboring countries, global immigration, and military heritage. But in the pressure cooker of contemporary Israel, culture changes more quickly than elsewhere. You can see evidence of this ultra-modernity by the country's almost universal cellphone and internet usage, the high percentage of consumers who make purchases online, and the two-thirds of Israelis who traveled outside the country in 2014. Language here reflects this warp-speed change. Welcome to an exploration of one of the world's oldest yet newest cultures, and certainly one of its most vibrant.

Describes the holidays and traditions of Israel including, the national holidays that celebrate events in the Jewish religion, which holidays are observed by the country's many Muslims, and how Israelis celebrate family occasions.

Israel Celebrates is about the intersection where Israeli inventiveness and Jewish tradition meet: the holidays. It employs the anthropological history of four Jewish holidays as celebrated in Israel in order to track the naturalization of Jewish rituals, myths, and symbols in Israeli culture throughout “the long twentieth century” of Zionism and on to the present, and to demonstrate how a new strand of Judaism developed in Israel from the grassroots. But could this grassroots Israeli culture develop into a shared symbolic space for both Jews and Arabs? By probing the political implications of the minutiae of life, the book argues that this popular culture might come to define Jewish identity in Israel of the 21st century.

Students and other readers looking to more fully understand and appreciate Israelis of all backgrounds and their ways of life and culture now have a solid source of engaging, balanced, and accurate information. Israel's brief, turbulent history and the Arab-Israeli conflict are always taken into account in the narrative; however, the emphasis here is nonpolitical and encompassing of the heterogenous culture of its citizens, including Jews, Arabs, Druze, and others. The predominant Jewish culture itself is multicultural, with immigrants from all over the world. Israel, a tiny state about the size of New Jersey, weighs on the consciousness of the world more than it might small land mass might seem to merit. Located at the junction of Europe, Asia, and Africa, Israel has been a natural trade and migration route since prehistoric times. The region is also the birthplace of monotheism and an important religious site for Jews, Christians, and Muslims worldwide. Culture and Customs of Israel is the first in-depth survey available and comes at a particularly crucial juncture in history, as the balanced perspective adds a needed cultural dimension. Narrative chapters provide a clear overview of the history and religious nexus and discuss the crucial roles of literature and media to the citizens, issues in Israeli art and identity, the diversity in cuisine, a surprisingly traditional view of gender roles, social customs for all ethnicities, and the role of music and dance in nation building. A volume map, photos, chronology, and glossary complement the text.

This book is a collection of letters from a religious Jew in Israel to a Christian friend in Barcelona on life as an Orthodox Jew. Equal parts lighthearted and insightful, it's a thorough and entertaining introduction to the basic concepts of Judaism.

A unique Israeli national culture—indeed, the very nature of "Israeliness"—remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the contemporary, global-cosmopolitan Israeli rock; and the ethnic-oriental musica mizrahit. The result is the first ever comprehensive study of popular music in Israel. Motti Regev, a sociologist, and Edwin Seroussi, an ethnomusicologist, approach their subject from alternative perspectives, producing a truly interdisciplinary, sociocultural account of music as a feature and a force in the shaping of Israeliness. A major ethnographic undertaking, describing and analyzing the particular history, characteristics, and practices of each music culture, Popular Music and National Culture in Israel maps not only the complex field of Israeli popular music but also Israeli culture in general.

This book examines the impact of changing modes of cultural transmission on Jewish and Western cultures over the past two thousand years. The contributors to the volume survey some of the ways -- conscious and subconscious -- in which cultural elements arc selected, shaped, and transmitted, and some of the ways they in turn shape the future of their cultures. Focusing on a range of Jewish cultures from late antiquity, the Middle Ages, and the modern period, the authors consider both the transformation of traditions in their travels from one contemporaneous cultural context to another and their transformation within a single culture overtime. Some of the studies in the book deal with the transition from mixed oral-written cultures to ones in which written-print is nearly exclusive. Other chapters deal with the processes of transmission such as anthologizing, translating, teaching, and sermonizing. By contextualizing Jewish culture within Western culture and including a comparative perspective, the book makes an important contribution to Judaic studies as well as to other areas of the humanities concerned with questions of textuality and culture.