A paperback of the hardcover edition, first published in 1962. The book describes Goethe's Weimar from documents and research and interprets the connections between German culture and German society both in the age of Goethe and later. To this book Professor Bruford has written a sequel, The German Tradition of Self-Cultivation, and the two books together offer an introduction to the whole evolution of the German intellectual tradition.

New essays providing an account of the shaping beliefs, preoccupations, motifs, and values of Weimar Classicism.

This volume seeks to get behind the surface of political events and to identify the forces which shaped politics and culture from 1680 to 1840 in Germany, France and Great Britain. The contributors, all leading specialists in the field, explore critically how 'culture', defined in the widest sense, was exploited during the 'long eighteenth century' to buttress authority in all its forms and how politics infused culture. Individual essays explore topics ranging from the military culture of Central Europe through the political culture of Germany, France and Great Britain, music, court intrigue and diplomatic practice, religious conflict and political ideas, the role of the Enlightenment, to the very new dispensations which prevailed during and after the French Revolution and the Napoleonic watershed. The book will be essential reading for all scholars of eighteenth-century European history.

Robertson covers the life and work of Johann Wolfgang von Goethe (1749-1832): scientist, administrator, artist, art critic, and literary writer in a variety of genres.

The internationally distinguished scholars who have contributed to this timely book were asked to take part in a collaborative act of demystification: a reconsideration of the eschatological ideas of the last fin de sicle, the 1890s, in the light of the critical thought of the 1990s. Their essays draw upon a range of approaches, and are broadly interdisciplinary. All are characterised by the realisation that, with a century's hindsight, the late 1800s should be seen not so much as a period of decadence as of discovery and growth.

First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as ‘theatre poet’ at Mannheim, Goethe’s work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Büchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller’s The Robbers, Goethe’s Iphigenia on Tauris, Kleist’s The Prince of Homburg, and Büchner’s Woyzeck. This title will be of interest to students of theatre and German literature.