Zambia stands out in Africa as one of the continent's most peaceful countries. In its early years as an independent state, Zambia became a regional bulwark against imperialism and colonial domination and South African apartheid. Today, it stands out as an important example of Africa's recent democratization, experiencing both incredible success as well as some notable setbacks. The country is also one of the most urbanized in Sub-Saharan Africa. As a result of this urban influx, Zambia's diverse ethno-linguistic groups interact regularly. Moreover, many contemporary Zambian households, especially those in cities, are also exposed to the media, technology, and influences of western urbanized cultures, from Internet cafes to hip hop music. The interesting ways that tradition and modernity conflict and combine in contemporary Zambia are prime considerations in this book. This book explores Zambia's culture, with an eye toward its historical experiences and its particular endowments. It focuses on how traditional and modern interact, and sometimes collide, in the country through topics such as religion, gender roles and family, cuisine, the arts, literature, and more. The major groups are examined to give the reader an idea about how many Zambians live.

A blend of indigenous life in the rural countryside and metropolitan culture in urban centers, Senegal has been a small, yet prominent country on Africa's western coast. In this comprehensive study of contemporary Senegalese life, readers will learn how daily lifestyles are celebrated through both religious and secular customs. Students can investigate how Senegal's oral storytelling, Islamic roots, and French colonialism have shaped literature and media in today's society. From the street to the studio, the topic of art in Senegalese life is also covered. Ross also delves into architectural styles and modern housing in urban environments, while also covering typical cuisine and traditional fashion. Readers will learn about the typical Senegalese family as a social and economic unit, and will see how music, dance, and sports play an integral role in their lives. Ideal for high school students and general readers, this volume in the Culture and Customs of Africa series is a perfect addition to any library's reference collection.

Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.

Provides an overview of the history and culture of Ghana, featuring discussion of the country's religion and thought, the arts, cuisine and traditional dress, gender roles, marriage and family, social customs, and lifestyle.

This book explores the impact of Covid-19, and the associated state lockdown, on rural lives in a former homeland in South Africa. The 2020 Disaster Management Act saw the state sweep through rural areas, targeting funerals and other customary practices as potential ‘super-spreader’ events. This unprecedented clampdown produced widespread disruption, fear and anxiety. The authors build on path-breaking work concerning local responses to West Africa’s Ebola epidemic, and examine the HIV/AIDS pandemic, to understand the impact of the Covid crisis on these communities, and on rural Africa more broadly. To shed light on the role of custom and ritual in rural social change during the pandemic, Covid and Custom in Rural South Africa applies long-term historical and ethnographic research; theories of people’s science, local knowledge and the human economy; and fieldwork conducted in ten rural South African communities during lockdown. The volume highlights differences between developments in Southern Africa and elsewhere on the continent, while exploring how the former apartheid homelands–commonly, yet problematically, represented as former ‘labour reserves’–have since been reconstituted as new home-spaces. In short, it explains why rural people have been so angered by the state’s assault on their cultural practices and institutions in the time of Covid.

Symptomatic of an emergent shift away from prescriptive and deterministic accounts of change in South Africa, Predicaments of culture in South Africa posits an open-ended and speculative approach to the question and agency of culture. The key question, posed by Justice Albie Sachs of the Constitutional Court of South Africa, 'what does it mean to be a South African?' is shifted from its familiar ontological and epistemological habitat, 'what is identity?', the better to embrace its ethical and political rider, 'what are identities for?', and its more pragmatic possibility, 'what can identities do?' These qualifications - Bhabha's - form the building blocks that skew and enrich existing presumptions about South Africa's history, its present moment and its future. Jamal challenges and qualifies the conflicting and contiguous drives of fatalism, positivism and relativism, which are the dominant claimants upon the South African cultural imaginary. It is this critical non-positionality that forms the distinctive trait of an inquiry which, in eschewing allegiance and closure, opens up the debate about what it means to be South African and the role of culture therein. 'In hindsight, and with the hither side of the future before us', Jamal's driving assumption is that 'world society is advancing towards yet another age of ignorance; an age beyond suspicion and irony, in which thought, whether self-critical or not, is no longer the agent of reason'. Jamal calls for an urgent reappraisal of the absence of love - of lovelessness - which he sees as the infected root of South Africa's inability to create a positively affirmative cultural imaginary.

By linking culture and tradition with socio-economic development, this book breaks new ground in the discourse on development. It highlights the differences between Euro-centric and African culture, where concepts such as capital accumulation, entrepreneurial attitudes and material wealth are not top priority. In doing so, it dispels popular myths, stereotypes and distortions, as well as discounting misleading accounts about major aspects of African culture and traditional practices.