Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.

Expanding upon, and engaging with, the influential theories of Francis Fukuyama in The End of History and Samuel Huntington in The Clash of Civilisations, this book is a major, and controversial, contribution to these key contemporary debates. Dieter Senghaas examines some of the most significant political issues we face today: * How do societies cope with pluralization? * Can tolerance be a successful solution? * What is the role of 'culture' in recent conflicts which have been described as culturally induced? * And will twenty-first-century world politics sink into cultural conflicts on a biblical scale? Dieter Senghaas explores these questions within the context of the main non-Western cultural areas Chinese political philosophy, Islam, Buddhism and Hinduism and goes on to reflect on the possibility of a constructive form of intercultural dialogue. Senghaas's distinctive and radical approach will be of great interest and topicality to all those working in politics, international relations, sociology, cultural studies, development studies, religion and international political economy.

Expanding upon, and engaging with, the influential theories of Francis Fukuyama in The End of History and Samuel Huntington in The Clash of Civilisations, this book is a major, and controversial, contribution to these key contemporary debates. Dieter Senghaas examines some of the most significant political issues we face today: * How do societies cope with pluralization? * Can tolerance be a successful solution? * What is the role of 'culture' in recent conflicts which have been described as culturally induced? * And will twenty-first-century world politics sink into cultural conflicts on a biblical scale? Dieter Senghaas explores these questions within the context of the main non-Western cultural areas Chinese political philosophy, Islam, Buddhism and Hinduism and goes on to reflect on the possibility of a constructive form of intercultural dialogue. Senghaas's distinctive and radical approach will be of great interest and topicality to all those working in politics, international relations, sociology, cultural studies, development studies, religion and international political economy.

Our conception of cultures and cultural change has altered dramatically in recent decades: no longer do we understand cultures as isolated units; rather, we see them as hybrid formations constantly engaged in a multidirectional process of exchange and influence with other cultures. Yet the very process by which we represent these cultural transfers is itself subject to cultural, political, and ideological conditions that affect our understanding, acknowledgment, and representation of them. Built around concrete examples of controversial representations of cultural transfer from Asia, the Arab world, and Europe, Cultural Transfers in Dispute presents a critical self-reflection on the scholarly practices that underpin our attempts to study and describe other cultures.

Edited by Stephanie Schwerter and Jennifer K. Dick, Transmissibility and Cultural Transfer: Dimensions of Translation in the Humanities brings together monumental voices in the social sciences—such as Jean-René Ladmiral from Paris and Peter Caws from Washington DC—to begin to address the Humanities’ specific issues with and debt to translation. Calling for a re-examination of how translations are read, critiqued, and taught in Philosophy, History, Political Science, and Sociology departments, this book provides tools for reflection, bases for reconsideration of given translations, and historical observations on how thought has been shaped across national borders. The volume ends with four case studies—examples from auto-translation in postcolonial literature, cultural issues of translation in Chinese-language cinema, negotiating meaning between linguistically and culturally different audiences in the United States and Lebanon, to verbal-visual questions of translation in marketing to German and French clients. All in all, this book is a comprehensive, compact survey of the cultural and linguistic translation and transmission issues in the social sciences today. Transmissibility and Cultural Transfer: Dimensions of Translation in the Humanities is illuminating and informative.

From one of the leading policy experts of our time, an urgent rethinking of how we can better support each other to thrive Whether we realize it or not, all of us participate in the social contract every day through mutual obligations among our family, community, place of work, and fellow citizens. Caring for others, paying taxes, and benefiting from public services define the social contract that supports and binds us together as a society. Today, however, our social contract has been broken by changing gender roles, technology, new models of work, aging, and the perils of climate change. Minouche Shafik takes us through stages of life we all experience—raising children, getting educated, falling ill, working, growing old—and shows how a reordering of our societies is possible. Drawing on evidence and examples from around the world, she shows how every country can provide citizens with the basics to have a decent life and be able to contribute to society. But we owe each other more than this. A more generous and inclusive society would also share more risks collectively and ask everyone to contribute for as long as they can so that everyone can fulfill their potential. What We Owe Each Other identifies the key elements of a better social contract that recognizes our interdependencies, supports and invests more in each other, and expects more of individuals in return. Powerful, hopeful, and thought-provoking, What We Owe Each Other provides practical solutions to current challenges and demonstrates how we can build a better society—together.

Five specialists examine the historical relationship of culture and conflict in various regional societies. The authors use Adda B. Bozeman's theories on conflict and culture as the basis for their analyses of the causes, nature, and conduct of war and conflict in the Soviet Union, the Middle East, Sinic Asia (China, Japan, and Vietnam), Latin America, and Africa. Drs. Blank, Lawrence Grinter, Karl P. Magyar, Lewis B. Ware, and Bynum E. Weathers conclude that non-Western cultures and societies do not reject war but look at violence and conflict as a normal and legitimate aspect of sociopolitical behavior.