It has been argued that the mystical Sufi form of Islam is the most sensitive to other cultures, being accommodative to other traditions and generally tolerant to peoples of other faiths. It readily becomes integrated into local cultures and they are similarly often infused into Sufism. Examples of this reciprocity are commonly reflected in Sufi poetry, music, hagiographic genres, memoires, and in the ritualistic practices of Sufi traditions. This volume shows how this often-side-lined tradition functions in the societies in which it is found, and demonstrates how it relates to mainstream Islam. The focus of this book ranges from reflecting Sufi themes in the Qur’anic calligraphy to movies, from ideals to everyday practices, from legends to actual history, from gender segregation to gender transgression, and from legalism to spiritualism. Consequently, the international panel of contributors to this volume are trained in a range of disciplines that include religious studies, history, comparative literature, anthropology, and ethnography. Covering Southeast Asia to West Africa as well as South Asia and the West, they address both historical and contemporary issues, shedding light on Sufism’s adaptability. This book sets aside conventional methods of understanding Islam, such as theological, juridical, and philosophical, in favour of analysing its cultural impact. As such, it will be of great interest to all scholars of Islamic Studies, the Sociology of Religion, Religion and Media, as well as Religious Studies and Area Studies more generally.

Against the sweeping backdrop of South Asian history, this is a story of journeys taken by sixteenth-century reformist Muslim scholars and Sufi mystics from India to Arabia. At the center is the influential Sufi scholar Shaykh Ali Muttaqi and his little-known network of disciples. Scott Kugle relates how Ali Muttaqi, an expert in Arabic, scriptural hermeneutics, and hadith, left his native South Asia and traversed treacherous seas to make the Hajj to Mecca. Settling in Mecca, he continued to influence his homeland from overseas. Kugle draws on his original translations of Arabic and Persian manuscripts, never before available in English, to trace Ali Muttaqi's devotional writings, revealing how the Hajj transformed his spiritual life and political loyalties. The story expands across three generations of peripatetic Sufi masters in the Mutaqqi lineage as they travel for purposes of pilgrimage, scholarship, and sometimes simply for survival along Indian Ocean maritime routes linking global Muslim communities. Exploring the political intrigue, scholarly debates, and diverse social milieus that shaped the colorful personalities of his Sufi subjects, Kugle argues for the importance of Indian Sufi thought in the study of hadith and of ethics in Islam. We are proud to announce that this book is freely available in an open-access enhanced edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website: openmonographs.org. The open-access enhanced edition of Hajj to the Heart can be found here: https://manifold.ecds.emory.edu/projects/hajj-to-the-heart

Starting as a single congregation in Australia, Hillsong Church now has campuses worldwide, releases worship music that sells millions of albums and its ministers regularly appear in mainstream media. So, how has a single church gained such international prominence? This book offers an ethnographic exploration of the ways in which music and marketing have been utilised in the pursuit and production of spiritual experience for members of Hillsong Church. An experience that has proven to be incredibly popular. The main theme of this book is that marketing, specifically branding, is not just a way to "sell" religion, but rather an integral part of spiritual experience in consumer society. Focussing on the London Hillsong church as a case study, the use of its own music in tandem with strong branding is shown to be a co- and re-productive method of organizing, patterning, and communicating information. The church provides the branded material and cultural context in which participants’ sacred experience of self unfolds. However, this requires participants to "do the work" to properly understand, and ultimately embody, the values associated with the brand. This book raises important questions about the role of branding and music in forming modern scared identities. As such, it will be of great interest to scholars of Religious Studies, Ethnomusicology and Media Studies.

Literary Cultures in Early Modern North India: Current Research grows out of over a 40-year tradition of the triennial International Conferences on Early Modern Literatures in North India (ICEMLNI), initiated to share 'Bhakti in current research.' This volume brings together a selection of contributions from some of the leading scholars as well as emerging researchers in the field originally presented at the 13th ICEMLNI (University of Warsaw, 18-22 July 2018). Considering innovative methodologies and tools, the volume presents the current state of research on early modern sources and offers new inputs into our understanding of this period in the cultural history of India. This collection of essays is in the tradition of 'Bhakti in current research' volumes produced from 1980 onward but reflecting our current understanding of early modern textualities. The book operates on the premises that the centuries preceding the colonial conquest of India, which in scholarship influenced by orientalist concepts, has often been referred to as medieval. However these languages already participated in modernity through increased circulation of ideas, new forms of knowledge, new concepts of the individual, of the community, and of religion. The essays cover multiple languages (Indian vernaculars, Sanskrit, Apabhramsha, Persian), different media (texts, performances, paintings, music) and traditions (Hindu, Jain, Muslim, Sant, Sikh), analyzing them as individual phenomena that function in a wider network of connections at textual, intertextual, and knowledge-system levels.

Quraeshi provides a vision of Islam in South Asia enriched by art and by a female perspective on the diversity of Islamic expressions of faith. An account of a journey through the author’s childhood homeland, the book reveals the deeply spiritual nature of major centers of Sufism in the central and northwestern heartlands of South Asia.

In early 2011, widespread protests ousted dictatorial regimes in both Tunisia and Egypt. Within a few years, Tunisia successfully held parliamentary and presidential elections and witnessed a peaceful transition of power, while the Egyptian military went on to seize power and institute authoritarian control. What explains the success and failure of transitions to democracy in these two countries, and how might they speak to democratic transition attempts in other Muslim-majority countries? Democratic Transition in the Muslim World convenes leading scholars to consider the implications of democratic success in Tunisia and failure in Egypt in comparative perspective. Alongside case studies of Indonesia, Senegal, and India, contributors analyze similarities and differences among democratizing countries with large Muslim populations, considering universal challenges as well as each nation’s particular obstacles. A central theme is the need to understand the conditions under which it becomes possible to craft pro-democratic coalitions among secularists and Islamists. Essays discuss the dynamics of secularist fears of Islamist electoral success, the role of secular constituencies in authoritarian regimes’ resilience, and the prospects for moderation among both secularist and Islamist political actors. They delve into topics such as the role of the army and foreign military aid, Middle Eastern constitutions, and the role of the Muslim Brotherhood. The book also includes an essay by the founder and president of Tunisia’s Ennadha Party, Rachid Ghannouchi, who discusses the political strategies his party chose to pursue.

This volume significantly advances the academic debate surrounding the taxonomy and the categorisation of ‘indigenous religion’. Developing approaches from leading scholars in the field, this edited volume provides the space for established and rising voices to discuss the highly problematic topic of how indigenous 'religion' can be defined and conceptualised. Constructing the Indigenous highlights the central issues in the debate between those supporting and refining current academic frameworks and those who would argue that present thinking remains too dependant on misunderstandings that arise from definitions of religion that are too inflexible, and from problems caused by the World Religion paradigm. This book will prove essential reading for those that wish to engage with contemporary discussions regarding the definitions of religion and their relations to the indigenous category. Contributors are: Zoe Alderton, Steve Bevis, James L. Cox, Christopher Hartney, Graham Harvey, Milad Milani, Bjørn Ola Tafjord, Daniel J. Tower, Garry W. Trompf, and Jack Tsonis.