In this second book of The Newton Chronicles, Luke Alexander and his friends Nathan and Lydia are still on the hunt for Luke's father, who has been noted as "missing, presumed dead." But Luke and his friends aren't so sure. After finding a watch in Luke's father's office that helps them jump through time, the three friends are on a quest to find Luke's dad. Searching for the time of Solomon's Temple may be easier said than done, though, as they realize they could be searching over a period of several hundreds of years. From Moses destroying the Ten Commandments to David slaying Goliath, the quest seems daunting. But as he finds more clues along the way, Luke is becoming more and more convinced that not only is his father still alive, but he also needs Luke's help. Journey through the Bible with Luke and his friends as they see firsthand the Bible stories of old and find out more than they ever knew.

In the final book in The Newton Chronicles, Luke, Nathan, and Lydia continue on their quest through time to find Luke’s father. After finding some clues, the trio believes they finally have what they need to get to the time of the first building of Solomon’s Temple. But before they get there, they find themselves jumping through biblical history again—all the way back to Creation, in fact! From the beginning of everything to the birth of Jesus, time travel is not easy! Will Luke ever find his father? Or will he just keep jumping through history in search of someone who is lost forever? And most importantly, will firsthand experiences with stories from the Bible influence the faith of a doubter, a pastor’s kid, and a linguist?

After years of Special Forces military experience and Counter-Terrorist government service, a lone warrior breaks to witness the same injustices in civilian life that he fought in the service of his country. The Crusader is his story--the graphic account of a dangerous and adventure-filled life, as he battles the ravages of the everyday terrorist--the users, the criminals, the unscrupulous powerful, the greedy, the murderers--and wins.

An epic saga of love and war, Shadow of the Swords tells the story of the Crusades—from the Muslim perspective. Saladin, a Muslim sultan, finds himself pitted against King Richard the Lionheart as Islam and Christianity clash against each other, launching a conflict that still echoes today. In the midst of a brutal and unforgiving war, Saladin finds forbidden love in the arms of Miriam, a beautiful Jewish girl with a tragic past. But when King Richard captures Miriam, the two most powerful men on Earth must face each other in a personal battle that will determine the future of the woman they both love—and of all civilization. Richly imagined, deftly plotted, and highly entertaining, Shadow of the Swords is a remarkable story that will stay with readers long after the final page has been turned.

As the sun rises on China and sets on America, the world holds its breath. China, the USA and Capitalism's Last Crusade looks at the rise of China and the decline of the USA but from a different angle. William Briggs argues that this struggle for economic supremacy is being played out against a much bigger backdrop; the decline of the economic structure of capitalism. In this sense, the decline of the USA is portrayed as that larger economic decline in microcosm. Briggs examines the relationship between state and capital, of how capitalism came to dominate the world, and of the historical, political and economic rise of both the USA and China. He shows that the struggle between the two nations has little to do with cultural, historical, demographic, political or ideological differences, but with what they have in common. Despite the portrayal of China as being ‘socialist' it functions as a capitalist economy in the globalised capitalist world. While its journey to capitalism may have differed, the end point is the same and this is why there is such animosity, such conflict, such acrimony between the two states.

It's 1134. In a bleak monastery somewhere in Germany, Paul of Ardiun begins the chronicle he has been ordered by his religious superiors to write: the story of the knight Karelian Brandeis, for whom Paul once served as squire, who fell prey to the evil wiles of a seductive sorceress, thereby precipitating civil war and the downfall of a king. But before Paul can set down more than a sentence or two of this cautionary tale, the sorceress herself magically appears to him. He is a liar, she tells him, and always has been. She lays a spell on him: from this moment, he will only be able to write the truth. But what is the truth? All his life he has rearranged his memories to suit his faith. He has judged Karelian, judged the women, judged the world. Now, against his will, an entirely different story begins to emerge.