Poetry. " Leslie Scalapino is a stunningly original writer. Poised on an edge between space and claustrophobia, this poet bears stark witness to the broken narratives of thousands dead or off shore. CROUD AND NOT EVENING OR LIGHT scatters literary criticism, drama and the photographic index across a wilderness of everyday language like love"-Susan Howe.

From the online phenomenons the Astro Poets comes the first great astrology primer of the 21st century. Full of insight, advice and humor for every sign in the zodiac, the Astro Poets' unique brand of astrological flavor has made them Twitter sensations. Their long-awaited first book is in the grand tradition of Linda Goodman's Sun Signs, but made for the world we live in today. In these pages the Astro Poets help you see what's written in the stars and use it to navigate your friendships, your career, and your very complicated love life. If you've ever wondered why your Gemini friend won't let you get a word in edge-wise at drinks, you've come to the right place. When will that Scorpio texting "u up?" at 2AM finally take the next step in your relationship? (Hint: they won't). Both the perfect introduction to the twelve signs for the astrological novice, and a resource to return to for those who already know why their Cancer boyfriend cries during commercials but need help with their new whacky Libra boss, this is the astrology book must-have for the twenty-first century and beyond.

The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writing modes, and of the textuality and literariness of images. It focuses on the special potential literature offers for the combination of these two functions. Alongside examinations of major forms and genres such as memoirs, novels, and poetry, this volume expands the discussion of text and image relations into more marginal forms, for instance, collage books, the PostSecret collections of anonymous postcards, and digital poetry. In other words, while exploring the destiny of text and image as an independent discipline, this volume simultaneously looks at the very literal future of text and image forms in an ever-changing technological reality. The essays in this book will help to define the emergent practices and politics of this growing field of study, and at the same time, reflect the tremendous significance of the visual in today’s image culture.

Literary Nonfiction. New and Expanded Edition. In 'Eco-logic in Writing, ' one of many brilliant essay-talks in this volume, Leslie Scalapino asks, 'Seeing the the moment of, or at the time of, writing, what difference does one's living make?' What more crucial question for those concered not only with writing but with poethics: composing words into a socially conscious wager. For Scalapino the essay is a poetic act; the poetic act, essay. It's in that combination that her textual eros--the lush beauty of it!--could reject aesthetic purity and risk the rawness of genuinely new thought, touching what she called 'the rim of occurring.' 'Writing on rim' is a celebration of the wondrous present, but requires agonistic struggle with the ugly--poverty, war, institutional brutality, racism, sexism, homophobia. Scalapino's Steinian strategy of recomposing the vision of one's times, 'altering oneself and altering negative social formation, ' is her artfully problematized project of writing ourselves into a better future. With compassion and humor, Scalapino was indeed living on the rim of occurrence. That is the living in the writing that produced this work--its fundamental optimism and ebullient credo: 'The future creates the past.'--Joan Retallack Where critics used to debate, as if it were a real thing, a difference between form and content, so now they would separate 'theory' from 'practice, ' and thus divide a poet from his or her own intentions and poetry from its motives. But in fact poetic language might be precisely a thinking about thinking, a form of introspection and inspection within the unarrested momentum of experience, that makes the polarization of theory and practice as irrelevant as that of form and content, mentality and physicality, art and reality. Leslie Scalapino is one of a certain number of contemporary poets who have engaged in the struggle, not against distinctions but against the reification of false oppositions. Her work, in her volumes of poetry and in the collection here, is a thinking and a thinking about that, including small details and larger continua; these essays (works) are an essential testament to poetry and to its embodiment, and the book is an important contribution to the singularity and wholeness of her project.--Lyn Hejinian Everything conceives of what Leslie does. It's one of the functions of literature to take us in and out of time. She writes directly at the subject from inside it. Remembering forgets even itself when taken out of time.--Alan Davies Leslie Scalapino's writing is grounded in a singular and acute critical intelligence. It is work which challenges the conventional limits of genre and subject, even as it interrogates the surfaces and spaces of everyday life, revealing the simultaneity of the 'floating'--or hidden--world beneath. The essays and plays collected here represent a richly imaginative extension of that exploratory project.--Michael Palmer