There is nothing placid about San Francisco Bay. Its raucous waters have hosted brutal storms, daring rescues, horrendous accidents, and countless hours of drama and tension. Captain Paul Lobo knows that better than most people. As a licensed harbor pilot in those treacherous waters, Lobo captained nearly 6,500 boats in a thirty-one year career—everything from mega-yachts to the USS Enterprise to the Love Boat. Each trip tells its own story, and Lobo shares many. Here readers will find gripping, tense adventure stories, all well told. Reading Crossing the Bar is like being on the rolling bridge with Lobo. Here are tragic deaths and lives saved, inspiring rescues, devastating storms, and the infamous and horrendous oil spill after the Cosco Busan rammed the Oakland Bay Bridge—which resulted in the first imprisonment of a maritime pilot for making an error. Readers will also find a December sea rescue Lobo assisted with in hurricane strength winds and monstrous seas. Without Lobo’s pilot boat and its crews’ supreme effort, the ship they saved would have foundered on the rocky Marin County, California, coastline with the loss of all hands. Skyhorse Publishing, as well as our Sports Publishing imprint, is proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. In addition to books on popular team sports, we also publish books for a wide variety of athletes, including books on running, cycling, horseback riding, swimming, tennis, martial arts, golf, camping, hiking, aviation, boating, and so much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers—trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill—is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins’s performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.

-US Coast Guard story #1- Carlos Torres agreed to guest host his aunt’s Crossing the Bar podcast on a whim. That’s how he’d run most of his life to date, so why not. Petty officer Sarah Goodwin fought long and hard to achieve the rank of US Coast Guard Surfman. It made her the best driver that the National Motor Lifeboat School has trained in years. Carlos joins her on a training ride, that turns into a desperate rescue in the treacherous waters over the Columbia River Bar. A rescue that charts a new life’s course for them both.

This New York Times Notable memoir of a middle-class, middle-America family is a “beautiful bouquet of a book” (Entertainment Weekly). They say “a daughter is a daughter all her life,” and no statement could be truer for Patricia Hampl. Born to a Czech father—an artistic florist—and a wary Irish mother, Hampl experienced a childhood in St. Paul, Minnesota, that couldn’t have been more normal, the perfect example of a twentieth century middle-class, middle-American upbringing. But as she faces the death of her mother, Hampl reflects on the struggles her parents went through to provide that normal, boring existence, and her own struggles with fulfilling the role of dutiful daughter as she grew through the postwar years to the turbulent sixties and couldn’t help wanting to rebel against the notion of a “relentlessly modest life.” Named a Chicago Tribune Best Book of the Year, The Florist’s Daughter is Hampl’s most extraordinary work to date—a “quietly stunning” reminiscence of a Midwestern girlhood, and a reflection on what it means to be a daughter (People).

In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”