This book presents over 100 papers from the 3rd Engineering & Product Design Education International Conference dedicated to the subject of exploring novel approaches in product design education. The theme of the book is "Crossing Design Boundaries" which reflects the editors’ wish to incorporate many of the disciplines associated with, and integral to, modern product design and development pursuits. Crossing Design Boundaries covers, for example, the conjunction of anthropology and design, the psychology of design products, the application of soft computing in wearable products, and the utilisation of new media and design and how these can be best exploited within the current product design arena. The book includes discussions concerning product design education and the cross-over into other well established design disciplines such as interaction design, jewellery design, furniture design, and exhibition design which have been somewhat under represented in recent years. The book comprises a number of sections containing papers which cover highly topical and relevant issues including Design Curriculum Development, Interdisciplinarity, Design Collaboration and Team Working, Philosophies of Design Education, Design Knowledge, New Materials and New Technologies in Design, Design Communication, Industrial Collaborations and Working with Industry, Teaching and Learning Tools, and Design Theory.

"In Crossing Boundaries, Wolf shares his journeys to Ethiopia, Borneo Madagascar, Syria, and Myanmar. Each voyage is represented by exquisite photographs paired with personal, often humorous travel narratives. The author is a keen observer, captivated especially by individual forms of expression: the colors and patterns of clothing, the forms and features of architecture. Once home, Wolf incorporates - both subtly and not so subtly - the influence of his travels into his refined interior spaces in striking color combinations (the pinks and fuchsias and lavenders of Myanmar); skillful assemblages of artifacts (Ethiopian horn cups and chieftain's chairs); and graceful formal compositions (the symmetry of a Syrian garden court)."--BOOK JACKET.

This book explores hybrid play as a site of interdisciplinary activity—one that is capable of generating new forms of mobility, communication, subjects, and artistic expression as well as new ways of interacting with and understanding the world. The chapters in this collection explore hybrid making, hybrid subjects, and hybrid spaces, generating interesting conversations about the past, current and future nature of hybrid play. Together, the authors offer important insights into how place and space are co-constructed through play; how, when, and for what reasons people occupy hybrid spaces; and how cultural practices shape elements of play and vice versa. A diverse group of scholars and practitioners provides a rich interdisciplinary perspective, which will be of great interest to those working in the areas of games studies, media studies, communication, gender studies, and media arts.

The scientific analysis of design thinking continues to burgeon and is of considerable interest to academic scholars and design practitioners across many disciplines. This research tradition has generated a growing corpus of studies concerning how designers think during the creation of innovative products, although less focus has been given to analysing how designers think when creating less tangible deliverables such as concepts and user-insights. Analysing Design Thinking: Studies of Cross-Cultural Co-Creation brings together 28 contributions from internationally-leading academics with a shared interest in design thinking who take a close look at professional designers working on a project that not only involves soft deliverables, but where a central role is played by co-creation across multiple, culturally diverse stakeholders. This collection of detailed, multi-method analyses gives a unique insight into how a Scandinavian design team tackled a specific design task within the automotive industry over a four-month design process. All papers draw upon a common, video-based dataset and report analyses that link together a diversity of academic disciplines including psychology, anthropology, linguistics, philosophy, architecture, management, engineering and design studies. The dataset affords multiple entry points into the analysis of design thinking, with the selected papers demonstrating the application of a wide range of analytic techniques that generate distinct yet complementary insights. Collectively these papers provide a coherent framework for analysing and interpreting design thinking ‘in vivo’ through video-based field studies.

This edited volume explores the scope of interdisciplinary linguistics and includes voices from scholars in different disciplines within the social sciences and humanities, as well as different sub-disciplines within linguistics. Chapters within this volume offer a range of perspectives on interdisciplinary studies, represent a connection between different disciplines, or demonstrate an application of interdisciplinarity within linguistics. The volume is divided into three sections: perspectives, connections, and applications. Perspectives The goal of this section is to address more generally the definition(s) of and value of multi-, trans-, and inter-disciplinary work. In what areas and for what purposes is there a need for work that crosses discipline boundaries? What are the challenges of undertaking such work? What opportunities are available? Connections This section features paired chapters written by scholars in different disciplines that discuss the same concept/idea/issue. For example, a discussion of how "assemblage" works in archaeology is paired with a discussion of how "assemblage" can be used to talk about ‘style’ in linguistics. Applications This section can be framed as sample answers to the question: What does interdisciplinarity look like?

Urban boundaries exist in multiple forms. Interaction across these boundaries is typically unseen. Many forms of current architectural design reflect this isolated and individualistic feeling. Many contemporary buildings tend to be self-centered and seclude themselves from the rest of the urban environment in which they exist. One goal of the project is that the blending of boundaries will ultimately create a network of human interaction. Exploring the boundary and threshold conditions of building to ground, inside to outside, and adapting them to the surrounding context, will reveal new relationships that may connect people to the environment, community, and city. A primary interest is on the connection between natural landscape and architecture which attributes empty spaces to the conventional understanding. The project hopes to challenge this relationship to create new links in site design that embraces the user and surrounding context. These relationships will become activated by human intervention within a new system of boundary strategies. Thus, a new form of identity can be conceived that allows for a community that can be shared with others. Using thresholds to create an arrangement of spatial layers will add to this identity. Thresholds are where transformations begin and where an awareness of interaction takes place. This concept works in conjunction with blending boundary conditions. The goal of this project is to challenge our current way of designing to create a new system of unification that engages people and buildings in an urban environment. Blending urban boundaries and crossing multiple thresholds will form new relationships, but also respond to the need for individuality and identity.