This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.

American Modernist Fiction: Psychoanalytic Recitations of Identity addresses five American Modernist novels in light of Lacanian psychoanalytic theory: Nathanael West's Miss Lonelyhearts, Kay Boyle's Process, Djuna Barnes's Nightwood, Thornton Wilder's The Cabala, and F. Scott Fitzgerald's Tender Is the Night. Dolis's dynamic readings constitute a spirited "performance" of the narrative, deploying his own innovative form of literary analysis, what he calls "performance criticism". These psychoanalytic studies simultaneously stage the narrative and re-enact its putative significance, provoke and question its intent, thereby establishing a dialectics of desire—what both affects the body of the narrative and, equally, the critic's subjectivity.

These twelve essays analyze the complex pleasures and problems of engaging with James Joyce for subsequent writers, discussing Joyce's textual, stylistic, formal, generic, and biographical influence on an intriguing selection of Irish, British, American, and postcolonial writers from the 1940s to the twenty-first century.

This comprehensive chronological introduction offers a detailed analysis of Rose Tremain’s novels and examines the critical reception of her work. It situates Tremain – listed by Granta magazine as one of the twenty most promising young British novelists in 1983 – in the landscape of contemporary British literature by demonstrating how the variety of her work touches upon major concerns of contemporary fiction. The book aims to satisfy the needs of students by providing an extensive reading of Tremain’s novels based on critical discussions of key notions in contemporary literary theory and cultural studies. It includes a comprehensive bibliography and overview of Tremain’s critical reception. It points up the suitability of Tremain’s novels as practical illustrations of major concepts in contemporary literary debates.

The crossing of borders and frontiers between political states and between languages and cultures continues to inhibit and bedevil the freedom of movement of both ideas and people. This book addresses the issues arising from problems of translation and communication, the understanding of identity in hyphenated cultures, the relationship between landscape and character, and the multiplex topic of gender transition. Literature as a key to identity in borderland situations is explored here, together with analyses of semiotics, narratives of madness and abjection. The volume also examines the contemporary refugee crisis through first-hand “Personal Witness” accounts of migration, and political, ethnic and religious divisions in Kosovo, Greece, Portugal and North America. Another section, gathering together historical and current “Poetry of Exile”, offers poets’ perspectives on identity and tradition in the context of loss, alienation, fear and displacement.

A collection that resets the terms of interpreting the Pauline letters Interpretation of Paul's letters often proves troubling, since people frequently cite them when debating controversial matters of gender and sexuality. Rather than focusing on the more common defensive responses to those expected prooftexts that supposedly address homosexuality, the essays in this collection reflect the range, rigor, vitality, and creativity of other interpretive options influenced by queer studies. Thus key concepts and practices for understanding these letters in terms of history, theology, empire, gender, race, and ethnicity, among others, are rethought through queer interventions within both ancient settings and more recent history and literature. Features: New options for how to interpret and use Paul's letters, particularly in light of their use in debates about sexuality and gender Developing approaches in queer studies that help with understanding and using Pauline letters and interpretations differently Key reflections on the two "clobber passages" (Rom 1:26-27 and 1 Cor 6:9) that demonstrate the relevance of a far wider range of texts throughout the Pauline corpus

What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.