A thrilling memoir from the former chief of the Brooklyn District Attorney's Rackets Division, who took on organized crime, crooked cops, and con men, rarely losing a case From 2001 to 2013, Mike Vecchione was chief of the Rackets Division in the Brooklyn District Attorney's office, which was the largest urban prosecution agency in the country. Vecchione grappled with organized crime and dirty politicians, during which he supervised, investigated, and prosecuted major felony cases. Crooked Brooklyn is a gritty story of corruption, greed and law enforcement. Vecchione navigated a political minefield and expertly rose to the judicial challenges of directing investigations into a wide variety of crimes, from bribe-taking judges to cold-blooded killers. He was responsible for taking down: - Three state Supreme Court judges - One of the most powerful political bosses in the country - Two cops who worked as assassins for the Mafia - A State Assemblywoman - An FBI agent - A corrupt oral surgeon who was secretly selling bones from the recently deceased to medical supply companies Unbelievable and unforgettable, Crooked Brooklyn is filled with characters and stories ripped straight from the tabloids, great for fans who enjoy Law & Order, readers of true crime and those hungry for details about the system that keeps us safe.

A thrilling memoir from the former chief of the largest urban prosecution agency in the country

When one of Raymond Donne's former students is found stabbed to death under the Williamsburg Bridge, Ray draws on his past as a cop to find the truth in Tim O'Mara's second New York City mystery. Raymond Donne's former student Douglas Lee had everything going for him thanks to a scholarship to an exclusive private school in Manhattan, but all of that falls apart when his body is found below the Williamsburg Bridge with a dozen knife wounds in it. That kind of violence would normally get some serious attention from the police and media except when it's accompanied by signs that it could be gang related. When that's the case, the story dies and the police are happy to settle for the straightforward explanation. Dougie's mom isn't having any of that and asks Ray, who had been a cop before an accident cut his career short, to look into it, unofficially. He does what he can, asking questions, doling out information to the press, and filling in some holes in the investigation, but he doesn't get far before one of Dougie's private school friends is killed and another is put in the hospital. What kind of trouble could a couple of sheltered kids get into that would end like that? And what does is have to do with Dougie's death? None of it adds up, but there's no way Ray can just wait around for something to happen. Following on the heels of his acclaimed debut, Tim O'Mara's Crooked Numbers is another outstanding mystery that brings the streets of Brooklyn and Manhattan to life and further solidifies O'Mara's place among the most talented new crime fiction writers working today.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist. "A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.

Winner of the Costa Novel Award and longlisted for the Man Booker Prize, Colm Tóibín's internationally bestselling novel is a story of devastating emotional power. At the centre of Colm Tóibín's internationally celebrated novel is Eilis Lacey, one among many of her generation who has come of age in 1950s Ireland but cannot find work at home. When she receives a job offer in America, it is clear to everyone that she must go. Leaving her family and country behind, Eilis heads for unfamiliar Brooklyn, and to a crowded boarding house where the landlady's intense scrutiny and the small jealousies of her fellow residents only deepen her isolation. Slowly, however, the pain of parting and a longing for home are buried beneath the rhythms of her new life—until she begins to realize that she has found a sort of happiness. But just as Eilis begins to fall in love, tragic news summons her back to Ireland, where she unexpectedly finds herself facing an impossible decision.

Bagels, bullies, and bad girls are only part of the chemistry of Hardboiled Brooklyn. An anthology of slash and burn short stories set in the Country of Kings, the collection boasts an all-star line up of today's hottest crime fiction writers, including Edgar winners S.J. Rozan and Peter Blauner, Shamus winners Ken Bruen and Peter Spiegelman, Gumshoe winner Jim Fusili, and Anthony/Barry winner, Jason Starr.

“Exuberant . . . elegantly conjures an evocative group dynamic.” —Sam Roberts, New York Times From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country’s most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine’s cadre of charming, wisecracking, driven, troubled, brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine. We meet the demanding and eccentric founding editor Harold Ross, who would routinely tell his underlings, "I'm firing you because you are not a genius," and who once mailed a pair of his underwear to Walter Winchell, who had accused him of preferring to go bare-bottomed under his slacks. Joining the cast are the mercurial, blind James Thurber, a brilliant cartoonist and wildly inventive fabulist, and the enigmatic E. B. White—an incomparable prose stylist and Ross's favorite son—who married The New Yorker's formidable fiction editor, Katharine Angell. Then there is the dashing St. Clair McKelway, who was married five times and claimed to have no fewer than twelve personalities, but was nonetheless a superb reporter and managing editor alike. Many of these characters became legends in their own right, but Vinciguerra also shows how, as a group, The New Yorker’s inner circle brought forth a profound transformation in how life was perceived, interpreted, written about, and published in America. Cast of Characters may be the most revealing—and entertaining—book yet about the unique personalities who built what Ross called not a magazine but a "movement."