The Nobel Prize-winning Egyptian writer Naguib Mahfouz refashions the classic tales of Scheherazade into a novel written in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories from the tradition of The One Thousand and One Nights, made new by the magical pen of the acknowledged dean of Arabic letters, who plumbs their depths for timeless truths.

First Published in 2004. Naguib Mahfouz is one of the most important Arabic fiction writers of this century. Born in 1911, his long and prolific writing career represents the evolution of a novel genre in Arabic literature. His books are a record of the tragic tensions attendant on a nations's quest for freedom and modernity. In 1988 he won the Nobel Prize for Literature. This book provides a comprehensive study of Mahfouz's achievement. Rasheed El-Enany presents a systemic evaluation of the author's life and environment; local and foreign influences on him; elements of his thought and technique and the evolution of his craft. While each work is discussed individually, emphasis is laid throughout on elements of continuity in his work, whether thematic or aesthetic. In particular, Dr El-Enany challenges the traditional classification of Mahfouz's work into four chronological phases - historical, realist, modernist and indigenous or traditional. It is demonstrated that elements of these forms recur throughout Mahfouz's varied and experimental writings. This book is the story of Mahfouz's struggle to free his novels from the prevalent, predominantly Western moulds and to express his own socio-political thought.

The most comprehensive reference work on African literature to date, this book contains over 600 entries that cover criticism and theory, its development as a field of scholarship, and studies of established and lesser-known writers.

In this collection of essays, biographies and Nobel lectures, tenNobel Laureates from five continents give various and startlingperspectives on current questions about modernity and tradition, unityand diversity, integration, identity, integrity, gender and sexualroles in a multicultural world of change. It is also a book onself-confidence and presents different ways to self-knowledge andcultural individuality. Published in print for the first time, thesestudies and penetrating observations on topical issues, written byleading authors and intellectuals from many distant countries, make upone of the most intriguing and engaging avowals of our time.

In this collection of essays, biographies and Nobel lectures, ten Nobel Laureates from five continents give various and startling perspectives on current questions about modernity and tradition, unity and diversity, integration, identity, integrity, gender and sexual roles in a multicultural world of change. It is also a book on self-confidence and presents different ways to self-knowledge and cultural individuality. Published in print for the first time, these studies and penetrating observations on topical issues, written by leading authors and intellectuals from many distant countries, make up one of the most intriguing and engaging avowals of our time.The Nobel Laureates are:Sir V S Naipaul (United Kingdom, born in Trinidad)Nadine Gordimer (South Africa)Derek Walcott (St Lucia)Naguib Mahfouz (Egypt)Patrick White (Australia)Ernest Hemingway (USA)Grazia Deledda (Sardinia, Italy)Amartya Sen (United Kingdom and the USA, born in India)Rabindranath Tagore (India)Nelson Mandela (South Africa)

What have the concepts of modernity and secularization meant for Islamic tradition, culture and society? How have the discourses which surround all of these issues influenced Muslim self-perception and individual identity? There have been many attempts to describe and analyse the encounter between Islam and modernity in the Middle East, but few have been able so effectively to explore the impact this has on the idea and reality of religious identity and individual religiosity. Maha F. Habib examines modernity from this angle, offering socio-cultural, philosophical and literary perspectives. She assesses how this is played out in Egypt, analysing cultural changes in the country through its intellectual thought and literature, from the nineteenth century to the present day. Her references to the works of Muhammad Abdu, Muhammad Husayn Haykal, 'Abbas Mahmud al-'Aqqad, Naguib Mahfouz, Alaa al-Aswany and Salwa Bakr reveal contemporary issues and concerns which will interest those researching the cultural and social milieu of modern Egypt.