"Crimetown, U.S.A." is a narrative of organized crime in Youngstown, Ohio and the surrounding Mahoning Valley during the years 1933 to 1963. It begins with the Valley's participation in the Midwest Crime Wave of 1933-34, describing the demise of the legendary bank robber "Pretty Boy" Floyd. This is followed by the demise of one of the Valley's own in the brutal slaying of "Happy" Marino, which also happens to be one of the Valley's few gangland murders in which all the participants were tried, convicted and sent to prison. The mid-to-late 1930s is chronicled showing the dominance of the ethnic-based lottery houses, which operated in Youngstown. These operations came to end after a run-away grand jury created enough interest to draw the governor's attention. The late 1940s saw the height of popularity of the infamous Jungle Inn gambling den, located just over the Mahoning County line in Trumbull County. The history of this establishment is chronicled in "Welcome to the Jungle Inn," also by Allan R. May, and is a companion book to "Crimetown U.S.A." describing the history of organized crime in Warren and Trumbull County, Ohio. By the end of the 1940s the citizens of Youngstown put a new mayor in City Hall. Charles Henderson ran on the platform of "Smash Racket Rule" in the city. The man he brought in to do the "smashing" was Edward J. Allen. The feisty and fearless police chief began by chasing out two-thirds of the Valley's "Big 3," including Mafia member Joe DiCarlo, who muscled into the race wire service and controlled the local bookmaking. This period was followed by what was known as the "bug" craze, which was the Valley's nickname for the numbers game or policy, as it was also known. The battle for dominance resulted in a bombing war throughout the 1950s for supremacy in this field by the city's top policy racketeers, Sandy Naples and Vince DeNiro. By the end of the 1950s, Youngstown had become known as "Bomb Town." In the early 1960s, the bombs that were used to scare the competition were now being used to eliminate it. A wave of vicious killings took place, some taking the lives of innocent people. No murder was more notorious than the November 1962 car-bombing that took the lives of "Cadillac Charlie" Cavallaro and his 11-year old son. The senseless killing shocked the country and brought national attention to Youngstown. It also brought the city an everlasting and despised nickname, "Crimetown, U.S.A."

"Murdertown," "Bombtown," "Crimetown." Through decades, the City of Youngstown, Ohio, has been branded with such painful nicknames, due in large part to the rackets, violence and corruption of organized crime in the region. The streets of Youngstown and other communities in the Mahoning and Shenango valleys of northeastern Ohio and western Pennsylvania have been bloodied through numerous shootings and stabbings and, during an especially disturbing period, a series of gruesome car-bombings. In too many cases, public officials and officers of the law were complicit in the criminal activity, profiting through bribery and graft. Some authorities who resisted corruption and attempted to perform their public duties found themselves the targets of underworld violence. In this November 2022 issue of Informer: The History of American Crime and Law Enforcement, we tackle the history of organized crime in Youngstown region, from the earliest reports of the 1890s through the apparent dissolution of the Mob presence more than a century later. It is a complex subject, as elements of at least four regional Mafia organizations and a persistent non-Mafia Calabrian organization, in addition to other criminal elements, all collided, cooperated, combined and clashed with each other at different times. This resulted in a wealth of interesting but often uncoordinated stories and personalities. Our strategy for dealing with the subject is to present a number of individual standalone articles on the more interesting of these stories, bringing to light the significant personalities, groups, areas and eras. The effort might be compared to the photographic “stitching” of a collection of images into a panorama. Readers will discover the secret criminal organizations behind names like "Society of Honor," "Sacred Circle" and "Society of the Banana" and will encounter such characters as "Fats" Aiello, Ernie Biondillo, Frank Cammarata, "Cadillac Charlie" Cavallaro, Joe Cutrone, "Tony Dope" Delsanter, Vince DeNiro, "Wolf" DiCarlo, "Big Jim" Falcone, Mike Farah, "Red" Giordano, "Big Dom" Mallamo, Dominick Moio, "Two-Gun Jimmy" Prato, Rocco Racco, Rocco Strange, Lenny Strollo, "Zebo" Zottola, along with the Barber brothers, the Carabbia brothers, the Naples brothers, the Romeo brothers and many more. While it is our hope that a coherent image of the history of Youngstown-area organized crime (and its connections to criminal entities outside the region) will emerge, we are concerned by the fact that some of our individual historical “snapshots” do not overlap with or even touch each other while others may overlap quite a bit. We hope that the obvious voids and repetitions will not be a great distraction and that, with some patience, our readers will be able to “get the picture.” Contributors to this Informer issue: James Barber, Justin Cascio, Margaret Janco, Thom L. Jones, Michael A. Tona, Edmond Valin and Thomas Hunt

This book seeks to understand white conservative Christians’ support for Donald Trump, using their own words. Drawing on the triangular relationship between the 45th president, and his voters, and religious organizations, this work investigates the creation of the tale of Trump as the protector and enhancer of Christian values. The first part of the book discusses in detail the white conservative Christian constituency in the United States, and the development of feelings of displacement and resentment fostered by intergroup threat and nationalism. The central part focuses on the actor known as the “Religious Right,” through the rhetoric of one of their most representative organizations in the twenty-first century. The final part focuses on the character of Donald Trump and his peculiar relationship with religious discourse. The book demonstrates that while such discourse is expected of Trump as a Republican candidate, his approach to it is characterized by detachment and sloganized exploitation of Christian symbols. Ultimately, the book highlights the cultural tools that are crucial in the reproduction of structures of inequality and the ways they have been used by conservative politicians and groups to accumulate power.

A history of organized crime in Warren and Trumbull County, featuring stories on Jimmy Munsene, the notorious Farah Brothers, Detroit Mobster Frank Cammarata, Anthony "Tony Dope" Delsanger and others.

The massive steel mills of Youngstown once fueled the economic boom of the Mahoning Valley. Movie patrons took in the latest flick at the ornate Paramount Theater, and mob bosses dressed to the nines for supper at the Colonial House. In 1977, the Youngstown Sheet and Tube Company announced the closure of its steelworks in a nearby city. The fallout of the ensuing mill shutdowns erased many of the city's beloved landmarks and neighborhoods. Students hurrying across a crowded campus tread on the foundations of the Elms Ballroom, where Duke Ellington once brought down the house. On the lower eastside, only broken buildings and the long-silent stacks of Republic Rubber remain. Urban explorer and historian Sean T. Posey navigates a disappearing cityscape to reveal a lost era of Youngstown.

The Youngstown story often is told with a beginning in iron and steel and ending in decay with a subplot driven by violent mobsters and corrupt politicians. Aiming to provide a more well-rounded examination of Youngstown, this collection of essays provides an authentic look at the city through a diverse set of experiences from the perspectives of those who have lived there. Readers will gain a sense of the past, present, and future of the city.

Once the symbol of a robust steel industry and blue-collar economy, Youngstown, Ohio, and its famous Jeannette Blast Furnace have become key icons in the tragic tale of American deindustrialization. Sherry Lee Linkon and John Russo examine the inevitable tension between those discordant visions, which continue to exert great power over Steeltown's citizens as they struggle to redefine their lives. When "the Jenny" was shut down in 1978, 50,000 Youngstown workers lost their jobs, cutting the heart out of the local economy. Even as the community organized a nationally recognized effort to save the mills, the city was rocked by economic devastation, runaway crime, and mob scandal, problems that persist twenty-five years later. In the midst of these struggles the Jenny remained standing as a proud symbol of the community's glory days, still a dominant force in the construction of both individual and collective identities in Youngstown. Focusing on stories and images that both reflect and perpetuate how Youngstown understands itself as a community, Sherry Lee Linkon and John Russo have forged a historical and cultural study of the relationship between community, memory, work, and conflict. Drawing on written texts, visual images, sculptures, films, songs, and interviews with people who have lived and worked in Youngstown, the authors show the importance of memory in forming the collective identity of a place. Steeltown, U.S.A. is a richly developed portrait of a place, showing how images of the Jenny and of Youngstown have been used in national media and connecting these representations to the broader public conversation about work and place: Bruce Springsteen's song "Youngstown," the book Journey to Nowhere, and other pop culture artifacts have helped make Youngstown the symbolic epicenter of American deindustrialization. And while many people see the need to get over the past and on with the future, in rushing to erase the difficult parts of Youngstown's history they might also forget the powerful events that made the city so important, such as the struggles for economic and social justice that improved the lives of steelworkers. This multifaceted study of the meaning of work and place in one community pointedly depicts the relationships among economic development, media representations, and community life. As we see how people's faith in the value of their work dwindled away in Youngstown, their stories can help us understand not only how the meaning of work has changed but also why the changing meaning of work matters.