To read a crime novel today largely simulates the exercise of reading newspapers or watching the news. The speed and frequency with which today's bestselling works of crime fiction are produced allow them to mirror and dissect nearly contemporaneous socio-political events and conflicts. This collection examines this phenomenon and offers original, critical, essays on how national identity appears in international crime fiction in the age of populism and globalization. These essays address topics such as the array of competing nationalisms in Europe; Indian secularism versus Hindu communalism; the populist rhetoric tinged with misogyny or homophobia in the United States; racial, religious or ethnic others who are sidelined in political appeals to dominant native voices; and the increasing economic chasm between a rich and poor. More broadly, these essays inquire into themes such as how national identity and various conceptions of masculinity are woven together, how dominant native cultures interact with migrant and colonized cultures to explore insider/outsider paradigms and identity politics, and how generic and cultural boundaries are repeatedly crossed in postcolonial detective fiction.

With essays by an international group of scholars, this title examines how the genre both mirrors and focuses the personal/sexual/ethnic/spiritual, how it interfaces with national literatures and histories, and how the generic identity of detective fiction has evolved over time.

To read a crime novel today largely simulates the exercise of reading newspapers or watching the news. The speed and frequency with which today's bestselling works of crime fiction are produced allow them to mirror and dissect nearly contemporaneous socio-political events and conflicts. This collection examines this phenomenon and offers original, critical, essays on how national identity appears in international crime fiction in the age of populism and globalization. These essays address topics such as the array of competing nationalisms in Europe; Indian secularism versus Hindu communalism; the populist rhetoric tinged with misogyny or homophobia in the United States; racial, religious or ethnic others who are sidelined in political appeals to dominant native voices; and the increasing economic chasm between a rich and poor. More broadly, these essays inquire into themes such as how national identity and various conceptions of masculinity are woven together, how dominant native cultures interact with migrant and colonized cultures to explore insider/outsider paradigms and identity politics, and how generic and cultural boundaries are repeatedly crossed in postcolonial detective fiction.

The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.

At once a compelling crime novel and an insightful, moving portrayal of contemporary China, A Case of Two Cities is the finest novel yet in this critically-acclaimed, award-wining series. Inspector Chen Cao of the Shanghai Police Department is assigned a high-profile anti-corruption case, one in which the principal figure has long since fled to the United States and beyond the reach of the Chinese government. But Xing left behind his organization, and Chen, while assigned to root the co-conspirators, is not sure whether he's actually being set up to fail. In a twisting case that takes him from Shanghai all the way to the U.S., reuniting him with his colleague and counterpart from the U.S. Marshall's Service, Inspector Catherine Rhon, Chen finds himself at odds with hidden, powerful, and vicious enemies.