Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean draws attention to a wide, and surprising, range of writings that craft inclusive and pluralizing representations of sexual possibilities within the Caribbean imagination. Reading across an eclectic range of writings from V.S. Naipaul to Marlon James, Shani Mootoo to Junot Diaz, Andrew Salkey to Thomas Glave, Curdella Forbes to Colin Robinson, this bold work of literary criticism brings into view fictional worlds where Caribbeanness and queerness correspond and reconcile. Through inspired close readings Donnell gathers evidence and argument for the Caribbean as an exemplary creolized ecology of fluid possibilities that can illuminate the prospect of a non-heteronormalizing future. Indeed, Creolized Sexualities hows how writers have long rendered sexual plasticity, indeterminacy, and pluralism as an integral part of Caribbeanness and as one of the most compelling if unacknowledged ways of resisting the disciplining regimes of colonial and neocolonial power.

Sex and the Citizen is a multidisciplinary collection of essays that draws on current anxieties about "legitimate" sexual identities and practices across the Caribbean to explore both the impact of globalization and the legacy of the region’s history of sexual exploitation during colonialism, slavery, and indentureship. Speaking from within but also challenging the assumptions of feminism, literary and cultural studies, and queer studies, this volume questions prevailing oppositions between the backward, homophobic nation-state and the laid-back, service-with-a-smile paradise or between giving in ignominiously to the autocratic demands of the global north and equating postcolonial sovereignty with a "wholesome" heterosexual citizenry. The contributors use parliamentary legislation, novels, film, and other texts to examine Martinique’s relationship to France; the diasporic relationships between the Dominican Republic and New York City, between India and Trinidad, and between Mexico’s capital city and its Caribbean coast; "indigenous" names for sexual practices and desires in Suriname and the Eastern Caribbean; and other topics. This volume will appeal to readers interested in how sex has become an important register for considerations of citizenship, personal and political autonomy, and identity in the Caribbean and the global south. Contributors: Vanessa Agard-Jones * Odile Cazenave * Michelle Cliff * Susan Dayal * Alison Donnell * Donette Francis * Carmen Gillespie* Rosamond S. King * Antonia MacDonald-Smythe * Tejaswini Niranjana * Evelyn O’Callaghan * Tracy Robinson * Patricia Saunders * Yasmin Tambiah * Omise’eke Natasha Tinsley * Rinaldo Walcott * M. S. Worrell

DIVA collection that analyzes homophobic violence from an anthropological, cross-cultural perspective./div

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in this book aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination.

Many foreign observers of the "Land of Smiles" are familiar with a narrow range of gender relations and sexual practices in Thailand, from the fanciful portrayal of 19th-century harem life in The King and I, to recent media coverage of sex tourism and AIDS. Yet serious study of patterns of sexuality, femininity, and masculinity in Thailand is relatively new. This book is a rare collection by scholars from around the world and across social disciplines who are tackling these issues. The essays urge the reader to look beyond fantasies of Thailand as an "oriental sexual paradise" or "land of sexploitation" to historical and contemporary forms of gender and eroticism. Studies of the changing opinions and practices among villagers and urbanites, the creative expressions of novelists and aristocrats, and the concerns of early women's magazines and recent AIDS-prevention campaigns, reveal the extraordinary diversity of debates about gender and sexual issues in 20th-century Thailand. Avoiding simplistic approaches to gender studies and sexuality research, the authors discuss how interpretations of gender roles, marriage, and intimate relationships differ between men and women; cultural regions; Thai and immigrant Chinese communities; and heterosexually and homosexually active groups--as well as between residents of Thailand and their foreign observers. By questioning accounts of Thailand as a place where gender is fluid and sexuality is free, the book unravels the complex processes by which Thai men and women understand themselves, appealing to both general readers and scholars of Thai society. Peter A. Jackson is fellow in Southeast Asian history at Australian National University. Nerida M. Cook is lecturer in sociology at the University of Tasmania.

The book presents a representative selection of the papers presented at the second Conference on Caribbean Culture in honour of Kamau Brathwaite.

As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart—the Africanized and Indianized—and distinguishes between cultural worlds assumed to be the same—indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture’s own transnational cartography.