In Pumpkins County, weird things happen every day, but nobody ever makes a fuss. Nobody, that is, except the Creeps: Carol, a big-city girl new to Pumpkins County, who finds kindred spirits in Mitchell (monster expert), Jarvis (military brat with logistics know-how), and Rosario (girly girl on the outside, muscle underneath). The Creeps are on the case to figure out the spooky mysteries and still get to class on time. Last week it was a pudding monster. This week, it's killer frogs--reanimated from the team's biology class dissection experiment. Who's behind the Frankenfrog attacks? The Creeps will track down the answers! In this new creepy graphic novel series, Chris Schweizer's art is full of the visual excitement that only the best graphic novel creators can pull off.

Ricky Beamer is furious when he gets kicked off the school paper, so he decides to play a joke on Tashas, the bossy editor-in-chief. Just a little joke. Harmless, really.After school one day he sticks a message in the paper. "If you're a creep call Tasha after midnight" it reads.But somehow Ricky's message gets messed up. And now he's getting calls! Strange calls from kids who say they are creeps. Creeps with scaly purple skin. And long sharp fangs...

National Book Foundation "5 under 35" honoree -- 2010. A Best Book of 2010 --NPR, Amazon, Shelf Unbound The Believer Book Award, Finalist Indie Bookseller's Choice Awards, Finalist "Krilanovich's work will make you believe that new ways of storytelling are still emerging from the margins." --Rachel Syme, NPR A girl with drug-induced ESP and an eerie connection to Patty Reed (a young member of the Donner Party who credited her survival to her relationship with a hidden wooden doll), searches for her disappeared foster sister along "The Highway That Eats People," stalked by a conflation of Twin Peaks' "Bob" and the Green River Killer, known as Dactyl. The New Classics series aims to celebrate the enduring cultural impact that publications have made by refreshing these evergreen titles with cover designs and new introductions or afterwords by acclaimed writers and artists that speak to the resonance and relevance of these works.

Pulsing with the dark obsession of Radiohead’s song “Creep,” Jennifer Hillier’s superb debut thriller is a terrifying cat-and-mouse game between a woman with everything to lose, and the lover she couldn't resist…who’s now the monster who won’t let her go. A popular psychology professor in Seattle, Sheila works hard to keep her secrets hidden. On the surface, she’s an expert in human behavior and a well-liked educator, but nobody knows she’s a recovering sex addict in therapy—not even the love of her life, Morris. And she needs it to stay that way, or she could lose everything. But Ethan Wolfe is impossible to resist. The graduate student is brilliant, charming, and seductive as hell. He’s also Sheila’s teaching assistant, and thirteen years her junior. Ignoring the risks to her career and relationship, they begin an illicit affair that lasts three months, until Morris asks her to marry him. Determined to get her life back on track, Sheila commits to a future with her fiancé, a man she’s not sure she deserves. But Ethan can’t move on so easily. He didn’t pursue his professor for as long as he did to get dumped for some boring, middle-aged suit. Ethan’s made plans too, and he doesn’t take rejection well. When the body of one of Sheila’s students is discovered floating in Puget Sound—a young woman Ethan was rumored to have dated—it’s clear that the graduate student has secrets of his own. And he’s not about to let Sheila get away.

In this delightfully imaginative novel, once again, hell threatens to break loose as Samuel Johnson and his ragtag group of friends must defend their town from shadowy forces more threatening than ever before... In this clever and quirky follow-up to The Gates and The Infernals, Samuel Johnson's life seems to have finally settled down—after all, he’s still got the company of his faithful dachshund, Boswell, and his bumbling demon friend, Nurd; he has foiled the dreaded forces of darkness not once, but twice; and he’s dating the lovely Lucy Highmore, to boot. But things in the little English town of Biddlecombe rarely run smoothly for long. Shadows are gathering in the skies, a black heart of pure evil is bubbling with revenge, and it rather looks as if the Multiverse is about to come to an end, starting with Biddlecombe. When a new toy shop’s opening goes terrifyingly awry, Samuel must gather a ragtag band of dwarfs, policemen, and very polite monsters to face down the greatest threat the Multiverse has ever known, not to mention assorted vampires, a girl with an unnatural fondness for spiders, and highly flammable unfriendly elves. The latest installment of John Connolly’s wholly original and creepily imaginative Samuel Johnson Tales, The Creeps is humorous horror for anyone who enjoys fiction at its best.

The first book to collect the work of the LA underground art world's favourite wunderkind, Elizabeth McGrath. 112 pages of full colour photos and detail shots reveal the exquisite complexity of her sweetly twisted creatures. Upon first viewing, McGrath's colourful mummified creatures are Gothic oddities, but their undeniable artistry immediately draws the viewer in to an appreciation of their tortured beauty. Each piece is meticulously sculpted, dressed and decorated in exquisite detail.

The haunting tale of a family that moves into a house... and finds that someone -- or something -- does NOT want them there. Olivia is curious about the people moving into 16 Olcott Place. The last family there moved out in the dead of night, and the new family, the Donahues, has no idea why. Olivia becomes fast friends with Janie Donahue . . . so she's there at the house when the first of the letters arrives:--I am the Sentry of Glennon Heights. Long ago I claimed 16 Olcott Place as levy for my guardianship. The walls will not tolerate your trespass. The ceilings will bleed and the windows will shatter. If you do not cease your intrusion, the rooms will soon smell of corpses.--Who is the Sentry? And why does the Sentry want the Donahues out of the house badly enough to kill? As Olivia and Janie explore the house, they find a number of sinister secrets . . . and as they explore their town, they find a hidden history that the Sentry wants to remain hidden forever. You can lock the doors. You can close the windows. But you can't keep the Sentry out. . . .