This is the best single account of the psychoanalysis of creativity, pseudo-creativity and the perverse mind. The author explores art, film and literature to show the relations between true creativity and the artful universe of the pervert.

At the nexus of Kantian aesthetics, literary analysis, and the history of medicine, Perverse Romanticism makes an important contribution to the study of sexuality in the long eighteenth century.

In this sweeping challenge to the postmodern critiques of psychoanalysis, Joel Whitebook argues for a reintegration of Freud's uncompromising investigation of the unconscious with the political and philosophical insights of critical theory. Perversion and Utopia follows in the tradition of Herbert Marcuse's Eros and Civilization and Paul Ricoeur's Freud and Philosophy. It expands on these books, however, because of the author's remarkable grasp not only of psychoanalytic studies but also of the contemporary critical climate; Whitebook, a philosopher and a psychoanalyst, writes with equal facility on both Habermas and Freud. A central thesis of Perversion and Utopia is that there is an essential affinity between the utopian impulse and the perverse impulse, in that both reflect a desire to bypass the reality principle that Freud claimed to define the human condition. The book explores the positive and negative aspects of the relationship between these impulses, which are ubiquitous features of human life, and the requirements of civilized social existence. Whitebook steers a course between orthodox psychoanalytic conservatism, which seeks simply to repress the perverse-utopian impulse in the name of social continuity and cohesion, and those forms of Freudo-Marxism, postmodernism, and psychoanalytic feminism that advocate its direct and full expression in the name of emancipation. While he demonstrates the limitations of the current textual approaches to Freud, especially those influenced by Lacan, Whitebook also enlists the lessons of psychoanalysis to counteract the excessive rationalism of the Habermasian brand of critical theory, thus making a substantial contribution to current discussions within critical theory itself. His analysis and interpretation of perversion, narcissism, sublimation, and ego bring new insight to these central and thorny issues in Freud, and his discussions of Adorno, Marcuse, Castoriadis, Habermas, Ricoeur, Lacan, and others are equally penetrating.

This book examines the role of the Oedipus complex in the psyche and relates it to urgent issues of social life, historical and current. It discusses the theory of sexual phallic monism and its most important consequences, and some essential points of Freud's work on female sexuality.

In this careful exposition of the concept of the ego ideal, the author explores the short cuts that are available to the psyche and traces the longer, more painful path to maturity. She develops in her own way Freud's view that people are forever seeking to regain a lost state of perfection, the state in which they were their own ideal - "primary narcissism". The book includes chapters on the following aspects of the ego ideal: perversion, genitality, being-in-love, groups, sublimation in the creative process, reality testing, and the superego.

American Board and Academy of Psychoanalysis Book Prize Winner for 2018 (Theoretical Category) We have entered the age of perversion, an era in which we are becoming more like machines and they more like us.The Age of Perversion explores the sea changes occurring in sexual and social life, made possible by the ongoing technological revolution, and demonstrates how psychoanalysts can understand and work with manifestations of perversion in clinical settings. Until now theories of perversion have limited their scope of inquiry to sexual behavior and personal trauma. The authors of this book widen that inquiry to include the social and political sphere, tracing perversion’s existential roots to the human experience of being a conscious animal troubled by the knowledge of death. Offering both creative and destructive possibilities, perversion challenges boundaries and norms in every area of life and involves transgression, illusion casting, objectification, dehumanization, and the radical quest for transcendence. This volume presents several clinical cases, including a man who lived with and loved a sex doll, a woman who wanted to be a Barbie doll, and an Internet sex addict. Also examined are cases of widespread social perversion in corporations, the mental health care industry, and even the government. In considering the continued impact of technology, the authors discuss how it is changing the practice of psychotherapy. They speculate about what the future may hold for a species who will redefine what it means to be human more in the next few decades than during any other time in human history. The Age of Perversion provides a novel examination of the convergence of perversion and technology that will appeal to psychoanalysts and psychoanalytic psychotherapists, social workers, mental health counselors, sex therapists, sexologists, roboticists, and futurists, as well as social theorists and students and scholars of cultural studies.

In Sex, Drugs, and Creativity: The Search for Magic in a Disenchanted World, Kahoud and Knafo take a close look at omnipotent fantasies in three domains: sex, drugs, and creativity. They demonstrate how these fantasies emerge and how artists draw on them both to create and destroy—sometimes simultaneously – and how understanding this can help psychoanalysts work more effectively with these individuals. Using the personal statements of influential artists and entertainers, in addition to clinical material, the authors examine the omnipotence of self-destruction as it contends with that of creative artists. The authors argue that creative artists use omnipotent fantasies to imagine the world differently - this enables them to produce their art, but also leaves these artists vulnerable to addiction. Chapters devoted to Stephen King and Anne Sexton demonstrate the ways these authors used drugs and alcohol to fuel imagination and inspire creative output while simultaneously doing harm to themselves. A detailed case study also demonstrates successful clinical work with a creative substance user. Sex, Drugs, and Creativity will appeal to anyone interested in the links between creativity and substance use, and will be of great use to psychoanalysts and mental health practitioners working with these challenging clients.