The textile and fashion industries globally produce millions of tons of solid waste every year through the many processes used - from yarn production, weaving, knitting, dyeing, and finishing, to apparel construction, quality inspection, and unsold goods - generating waste at each step. Typically, this waste is sent to landfills, incinerated or, at best, recycled in to low-quality fibres used for industrial applications. Scraps, timed to publish concurrently with Cooper Hewitt, Smithsonian Design Museum's exhibition of the same name, presents three designers' alternative approaches to the shockingly high human and environmental costs of textile industry waste. Inspired by the long tradition of using handcraft to give new life to scraps and cast-offs, each of the three featured designers - Christina Kim, Reiko Sudo and Luisa Cevese - takes an entirely different approach to contending with textile waste, but all make recycling an integral part of their design practice. The delicate beauty of the fabrics featured in Scraps ensure a seductive visual experience throughout the pages framing the exploration of sustainable design practices: using materials and resources efficiently, providing meaningful labour, sustaining local craft traditions and exploring new technologies as integral to the recycling process.

Textile design is a complex field of practice which operates in a competitive, global industry. Designers need to take into account not only the design but also the manufacture, technological development and application of the final product. Textile design provides a broad overview of the fundamentals of and advances in textile design, as well as practical case studies of relevant industries.Part one covers the principles of fabric construction as applied to textile design, with chapters on fundamental principles, woven and knitted textile design. Part two discusses surface approaches to textile design, with chapters on such topics as surface design of textiles, printed and embroidered textile design, dyeing and finishing and the use of colour in textile design. Finally, part three focuses on the applications and advances in textile design, including chapters covering colour trend forecasting, sustainable textile design, fashion, interior and 2D to 3D design considerations and new developments in technical and future textiles.With its distinguished editors and international team of contributors, Textile design is an essential reference for design professionals in the textile and fashion industries, as well as those who specialise in interior textiles and academics with a research interest in the area. - A broad overview of textile design covering fundamental topics such as principles of fibres and fabrics, knitted fabric design, through to the dyeing, finishing and printing aspects of textile design - Explores the design aspects of technical textiles and future textiles - An invaluable source of information on textile design and suitable for design professionals in the textile and fashion industries, as well as those in academia

This book tells the story of fashion workers engaged in the labor of design and the material making of New York fashion. Christina H. Moon offers an illuminating ethnography into the various sites and practices that make up fashion labor in sample rooms, design studios, runways, factories, and design schools of the New York fashion world. By exploring the work practices, social worlds, and aspirations of fashion workers, this book offers a unique look into the meaning of labor and creativity in 21st century global fashion. This book will be of interest to scholars in design studies, fashion history, and fashion labor.

Creative industries in China provides a fresh account of China’s emerging commercial cultural sector. The author shows how developments in Chinese art, design and media industries are reflected in policy, in market activity, and grassroots participation. Never has the attraction of being a media producer, an artist, or a designer in China been so enticing. National and regional governments offer financial incentives; consumption of cultural goods and services have increased; creative workers from Europe, North America and Asia are moving to Chinese cities; culture is increasingly positioned as a pillar industry. But what does this mean for our understanding of Chinese society? Can culture be industrialised following the low-cost model of China’s manufacturing economy. Is the national government really committed to social liberalisation? This engaging book is a valuable resource for students and scholars interested in social change in China. It draws on leading Chinese scholarship together with insights from global media studies, economic geography and cultural studies.

Proceedings of the 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023), July 20–24, 2023, San Francisco, USA