Creatives are taught the rules of design by mentors and professors. We are told what to do and how to do it. "Follow the rules and color within the lines," they say. "Only use two fonts on a page and don't make your logo too complicated," they say. It's time for us to tell them to shove it. Creative Anarchy explains and explores both rule-following and rule-breaking design. It includes tips to throw design caution to the wind, designers' stories with galleries of work, and creative exercises to help push your designs to the next level. Creative Anarchy is about great design and awesome ideas. You'll find sections specifically devoted to designing logos, posters, websites, publications, advertising and more.

In the summer of 2008, nearly fifty thousand people traveled to Nevada’s Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun. Enabling Creative Chaos tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man’s organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times.

The specter of anarchism is haunting statist and capitalist culture and politics in the 21st century. Anarchism—the idea that people can organize their lives on the basis of justice and equality free from political and economic rulers—has provided inspiration for a variety of contemporary social movements. Yet anarchism remains a misunderstood and misrepresented philosophy. A Creative Passion, edited by a longtime anarchist activist and scholar, offers important insights into anarchist cultural practices and worldviews. The classical anarchist Mikhail Bakunin famously proclaimed that the passion for destruction is also a creative passion. Anarchists over the decades have sought to destroy the tyrannical, authoritarian, exploitative, and oppressive aspects of statist and capitalist societies and culture, while creating alternatives based on solidarity, justice, care, and mutual aid. This innovative work provides exciting perspectives on current movements and ideas that seek a world free from authoritarian domination. It will be a welcome resource for students, faculty, artists, and community organizers alike. Chapters examine anarchism and dada, drama and anarchy, eco-anarchism and critiques of capitalist civilization, DIY and anarcho-punk assaults on corporate culture industries, and Wole Soyinka’s anarchism.

Adbusters' Design Anarchy is a visual call to arms to resist the commercialization of everything from motherhood to masochism, and has spawned a new genre of "Reactionary Advertising." Each of the hundreds of images in this volume, many paired with notes, commentary and poetry, provokes thought and feeling. It is this feeling, this emotional "conversation" with the page that fuels Adbusters' vision: to prevent the deadening of society, everyman, us, me. You.

Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative: one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music.

Five more years have passed. Everything is spiraling out of control and that is the good news. With each new shipload of colonists, the focus shifts and clarity diminishes. What was once a tight-knit community is gradually becoming something else, something more diffuse, something harder to pin down and categorize easily. Fifty thousand more inhabitants mean fifty thousand more variables in the overall equation that constitutes Junction, and almost everyone sees that as a good thing. The colony is blossoming and spreading outward. Five more years also means another full cycle of togetherness and separation for Charley and Clarity of Purpose. Five more years means another couple of layers of hope and despair added to the strata of Charleys struggles. On the plus side, he now also has a daughter. On the negative, Clarity has returned to Arden with both her and her older brother to, pointedly, more fully inculcate them into Quanck society. Charleys son now has a name, he has reached the naming age of six (Earth years.) That is the earliest that Quanck society deigns to notice the existence of another human soul in their midst. He and his mother have compromised on the name of Bridge Spanner but Charley, most often, still calls him Junior. The story has progressed in other areas as well but the war seems to be in something of a lull. The Han have not put in a single appearance in all that time but their threat flavors everyones lives. They will have to be dealt with, another duty Charley reluctantly assumes. His success or failure will determine the ultimate fate of the colony, and Earth as well. How hard can saving the human race be?