Sharing his love and profound understanding of the Old Testament, Baylis takes us on a walk through these important books, pointing out perspectives and insights along the way that leave us with a new, personal understanding of the Old Testament, and, more importantly, of God. Now revised and updated to include all the book of the Old Testament. Copyright © Libri GmbH. All rights reserved.

with a Postcript coauthored by Michael W. Goheen In print for two decades and translated into eight languages, Albert Wolters's classic formulation of an integrated Christian worldview has been revised and expanded to reach new readers beyond the generation that has already benefited from this clear, concise proposal for transcending the false dichotomy between sacred and secular. Wolters begins by defining the nature and scope of a worldview, distinguishing it from philosophy and theology. He then outlines a Reformed analysis of the three basic categories in human history -- creation, fall, and redemption -- arguing that while the fall reaches into every corner of the world, Christians are called to participate in Christ's redemption of all creation. This Twentieth Anniversary edition features a new concluding chapter, coauthored with Michael Goheen, that helpfully places the discussion of worldview in a broader narrative and missional context.

The cross is regarded as Jesus Christ’s great work of salvation. But is it also a work of creation? Excitingly plumbing Scripture and Christian tradition, Andrew McGowan shows that it is. “Each of Jesus’s seven words from the cross can be understood as a creative act, as a new divine work,” he writes. From the cross, Jesus works forgiveness, bestows Paradise, enacts human relationship, identifies completely with humanity, fulfills Scripture, and reenacts Sabbath. From early days, Christians—for good reason—linked the original seven days of creation with creation and re-creation at the apex of salvation. Seven Last Words recovers this linkage in all its power and perennial freshness. But that is not all. In addition to surveying the seven last words Jesus spoke, McGowan insists that at the cross “the eternal Word not only speaks, but listens.” And so he turns to the “conversations” spoken not only from but to the cross. Here he opens new vistas on the words of Judas, Dismas (the criminal crucified beside Jesus), Mary, God the Father, Longinus (the centurion), and Nicodemus, and ruminates fascinatingly on the accompanying silence of the angels. Profound and endlessly edifying, Seven Last Words will richly repay reading and rereading.

The Bible is full of images of God caring for his creation in all its complexity. Yet experts warn us that a so-called perfect storm of factors threatens the future of life on earth. The authors assess the evidence for climate change and other threats that our planet faces in the coming decades while pointing to the hope God offers the world and the people he made.

This mix of creation, spirituality and Scripture is a call to Christians to realize the interdependence of creation. It gives examples from Scripture, including some that are not well known.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.