Judaism, Christianity and Islam claim that the universe is not a brute fact. It is 'created'. But what do we mean by 'creation'? Do we mean that the universe is 'designed'? Is it the product of an evolutionary process? How are creatures related to God, and does God act within creation? Simon Oliver begins with the background to the Christian doctrine of creation in Greek philosophy and the Old Testament. This provides a route into understanding the claim that we are part of a created order that is also the theatre of God's redemptive action in Christ. He examines different understanding of creation, with close reference to the work of patristic and medieval theologians such as Augustine and Aquinas. This leads to an historical guide to the relationship between theological, philosophical and scientific approaches to nature in the modern period including Darwinism and Intelligent Design. Some of the ethical issues concerning humanity's place within, and treatment of, creation and our environment are also examined. Finally, a distinctive yet traditional theology of creation is proposed focused on the concepts of gift and participation as ways of understanding more fully the meaning and implications of the claim that the universe is created.

The author of the world wide best-seller, Small Is Beautiful, now tackles the subject of Man, the World, and the Meaning of Living. Schumacher writes about man's relation to the world. man has obligations -- to other men, to the earth, to progress and technology, but most importantly himself. If man can fulfill these obligations, then and only then can he enjoy a real relationship with the world, then and only then can he know the meaning of living. Schumacher says we need maps: a "map of knowledge" and a "map of living." The concern of the mapmaker--in this instance, Schumacher--is to find for everything it's proper place. Things out of place tend to get lost; they become invisible and there proper places end to be filled by other things that ought not be there at all and therefore serve to mislead. A Guide for the Perplexed teaches us to be our own map makers. This constantly surprising, always stimulating book will be welcomed by a large audience, including the many new fans who believe strongly in what Schumacher has to say.

A classic of medieval Jewish philosophy, Maimonides’s Guide of the Perplexed is as influential as it is difficult and demanding. Not only does the work contain contrary—even contradictory—statements, but Maimonides deliberately wrote in a guarded and dissembling manner in order to convey different meanings to different readers, with the knowledge that many would resist his bold reformulations of God and his relation to mankind. As a result, for all the acclaim the Guide has received, comprehension of it has been unattainable to all but a few in every generation. Drawing on a lifetime of study, Alfred L. Ivry has written the definitive guide to the Guide—one that makes it comprehensible and exciting to even those relatively unacquainted with Maimonides’ thought, while also offering an original and provocative interpretation that will command the interest of scholars. Ivry offers a chapter-by-chapter exposition of the widely accepted Shlomo Pines translation of the text along with a clear paraphrase that clarifies the key terms and concepts. Corresponding analyses take readers more deeply into the text, exploring the philosophical issues it raises, many dealing with metaphysics in both its ontological and epistemic aspects.

This book investigates the substance and presentation of major metaphysical themes in Maimonides' Guide for the Perplexed. Using rigorous philosophy it seeks to refute the view that the Guide hides an ''esoteric'' philosophical meaning beneath a traditional veneer, and offers a new explanation of his esotericism.

What does it mean to be human and to be made in the image of God? What does it mean to be a 'person'? What constitutes a human person? What does it mean to affirm that humans are free beings? And, what is gender? Marc Cortez guides the reader through the most challenging issues that face anyone attempting to deal with the subject of theological anthropology. Consequently, it addresses complexities surrounding such questions as: Each chapter explains first both why the question under consideration is important for theological anthropology and why it is also a contentious issue within the field. After this, each chapter surveys and concisely explains the main options that have been generated for resolving that particular question. Finally the author presents to the reader one way of working through the complexity. These closing sections are presented as case studies in how to work through the problems and arrive at a conclusion than as definitive answers. Nonetheless, they offer a convincing way of answering the questions raised by each chapter.

An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself. The approach focuses as much on the reception and response that Dummy engendered as it does on the original production of the album. How is that so many people have, collectively, made a quintessential headphone album into a nightclub album? How have they made the product of a niche local scene into an international success? This is the story of how an innovative, experimental album became the iconic sound for the better part of a decade; and an aesthetic template for the experience of music in the digital age.

This is the first scholarly collection in English devoted to Maimonides' Guide of the Perplexed.