They analyse how Carleton University tried to adjust to the changing social values of the 1960s, describing how the administration tried to come to terms with financial constraint, the professors tried to shift their emphasis from teaching to research while fretting about job security, and the students challenged the traditional authority of university officials and professors in an effort to become fee-paying clients rather than pupils. Over and above these changes were attempts to come to grips with individual rights and the changing status of women. Creating Carleton is not only the story of how Carleton came to terms with these changes but a case study of the transformation of higher education in Ontario and in North America.

"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

In 1957, McMaster was a small Baptist enclave of traditional higher learning on the western outskirts of Hamilton. Thirty years later it was home to the only nuclear reactor on a Commonwealth campus and had cultivated a thriving engineering program and a world-class medical school. In the third volume of the university's history, James Greenlee illuminates the core ideas, driving ambitions, and occasionally sharp conflicts that marked this startling transition. Greenlee offers a tightly focused study of the planning, people, and events that gave McMaster its distinctive and bold personality. At the heart of these developments stood President Harry Thode, whose master plan forged a research-intensive institution of medium size, but one capable of surpassing the largest institutions in carefully selected fields. Despite dramatic ups and downs, the remarkable persistence of this model is the key to understanding modern McMaster. For readers interested in the problems of mass education in a democratic age, the origins of revolutionary approaches to medical training, or the tangled relations among a university, its community, and the province, this volume, like the McMaster leaders it follows, has a story to tell.

This carefully crafted ebook collection of Charles Coffin's works is formatted for your eReader with a functional and detailed table of contents: The Seat of Empire The Story of Liberty Old Times in the Colonies My Days and Nights on the Battle-Field Daughters of the Revolution and Their Times: 1769–1776 The Boys of '61 Following the Flag Winning His Way The Life of Charles Carleton Coffin

This biography of Sir Guy Carleton was first published in the famous Makers of Canada series in 1907, and re-issued in 1926 with supplementary notes incorporating later research by A.L. Burt. When it first appeared it was reviewed by William Wood, who described it as "a really good book on one of the greatest makers of the Empire."