How to Make a Nation: A Monocle Guide reveals all you need to make a happy, vibrant and successful nation. From designing a better parliament, choosing a flag and creating social capital to taking care of your young and old, using culture to gain soft power and devising a national brand, this is a book for anyone who fancies a stint as PM, wants to be a more engaged citizen or just believes they deserve good government. This is a book about the small and big things that can make our nations work better for everyone who calls them home. Our 340-page guide features original photography and illustrations printed on a selection of great papers and bound with a linen cover. It is also available in a deluxe limited edition. Published by Gestalten.--

Anthems are symbolic means through which nations present themselves to the world. Accordingly, creating seven new nation states out of the bones of Yugoslavia required new anthems. Why did these new states opt for century-old national songs or, failing this, for the anthems without words? What are the images and symbols that each of these states chose as their 'national signatures' and how were these chosen? This book explores a variety of images of nationhood (or the absence of them) in the lyrics of the official anthems and of competing national songs and traces their historical trajectory from the time of their conception to their legal entrenchment. This is the first full-length study into the symbolic representations of nationhood in the recently created nation states of the Balkans."

In this book Libby Robin explores the links between nature and nation. By looking at some of those who observe the natural world most closely--including scientists, field naturalists and farmers--she tells the story of how we as a nation have come to understand our land. Having left the cultural cringe behind, settler Australians are struggling with the 'strange nature' of this continent. Robin suggests new ways of living in an arid and urbanized continent in times of global change, and gives hope that Australia can move beyond the biological cringe.

Reprint of the original, first published in 1883.

Building a Nation at War argues that the Chinese Nationalist government’s retreat inland during the Sino–Japanese War (1937–1945), its consequent need for inland resources, and its participation in new scientific and technical relationships with the United States led to fundamental changes in how the Nationalists engaged with science and technology as tools to promote development. The war catalyzed an emphasis on applied sciences, comprehensive economic planning, and development of scientific and technical human resources—all of which served the Nationalists’ immediate and long-term goals. It created an opportunity for the Nationalists to extend control over inland China and over education and industry. It also provided opportunities for China to mobilize transnational networks of Chinese-Americans, Chinese in America, and the American government and businesses. These groups provided technical advice, ran training programs, and helped the Nationalists acquire manufactured goods and tools. J. Megan Greene shows how the Nationalists worked these programs to their advantage, even in situations where their American counterparts clearly had the upper hand. Finally, this book shows how, although American advisers and diplomats criticized China for harboring resources rather than putting them into winning the war against Japan, U.S. industrial consultants were also strongly motivated by postwar goals.

Through its exploration of the intersections between the culture of the wool broadcloth industry and the literature of the early modern period, this study contributes to the expanding field of material studies in sixteenth- and seventeenth-century England. The author argues that it is impossible to comprehend the development of emerging English nationalism during that time period, without considering the culture of the cloth industry. She shows that, reaching far beyond its status as a commodity of production and exchange, that industry was also a locus for organizing sentiments of national solidarity across social and economic divisions. Hentschell looks to textual productions-both imaginative and non-fiction works that often treat the cloth industry with mythic importance-to help explain how cloth came to be a catalyst for nationalism. Each chapter ties a particular mode, such as pastoral, prose romance, travel propaganda, satire, and drama, with a specific issue of the cloth industry, demonstrating the distinct work different literary genres contributed to what the author terms the 'culture of cloth'.