Start Really Playing Jazz Guitar Today! This is where to start. Simplicity. Ease. Grace. Finally, a practical method that is neither too simple nor too complex. You won't be overwhelmed with a thousand chords, nor bored with not enough actual playing or examples. A Crash Course in Jazz Rhythm Guitar leads you step-by-step to being able to confidently play jazz rhythm guitar. No guesswork about how or what to practice, this course is student tested and audition-won approved. Be Versatile. Whether you're playing in a duo or in a big band, you'll have the foundation and confidence to hang with any group. Future books in the Crash Course Series cover advanced harmonies, drop-2 voicings, improvisation, rhythms, sightreading, chord-melody and more. Demystify the Fretboard A Crash Course in Jazz Rhythm Guitar is also a practical approach to learning the whole fretboard. It gives you a solid foundation which can be used in any genre of music. All done the Gman Way. The Crash Course Way, the Gman way, is to learn the essential and use the essential wisely. It is to simplify the complex, to make the complex simple. Simplicity brings speed, ease and grace. Even the most complex music is never more than layered simplicity.

This comprehensive book & CD set can help drummers and bassists gain valuable playing experience in jazz, funk, and Latin jazz styles. The CD features 16 play-along tracks with parts and playing suggestions for each tune. Jazz classics by John Coltrane, Miles Davis, Herbie Hancock, and Sonny Rollins are included along with funk tunes by Pee Wee Ellis, Russell Ferrante, and others. The book explains in detail how to play in bands and how to practice effectively. Reading topics include jazz history, chart reading, feel, song form, and musician's vocabulary. The rhythm section includes Berklee faculty bassists Bruce Gertz, Oscar Stagnaro, Bruno Raberg, and Anthony Vitti. Soloists are Billy Pierce, Hal Crook, Ken Cervenka, and Walter Beasley. Educators may also benefit by referring students to the carefully notated rhythmic feels.

Covers everything novice musicians and lifelong learners need to know. Full of music trivia, music history, comprehensive instruction and visual aids, music symbols, and chords throughout. This is a crash course in music theory that even professionals will enjoy.

Improvisation is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Drums in a Big Band offers tips, suggestions, examples, and a play-along CD to help you put it all together. The repertoire covers many jazz styles, from Basie to Latin and African-influenced music to ECM and contemporary jazz (the Vanguard Jazz Orchestra, Bob Brookmeyer, etc.).

(Book). This practical book with CD helps guitarists improve their ability to play over changes, better understand jazz harmony, and expand their jazz vocabulary. Using examples from his own experiences playing with many well-known musicians, top fusion guitarist Larry Coryell provides dozens of musical exercises - plus original compositions - that challenge guitarists to increase flexibility in their thinking and playing. Topics include: new approaches to playing accompaniment ("comping"); integrating chords and scales in jazz solos; interpreting chord changes; and improvising - the art of creating music spontaneously with other players.

For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.

talent means almost nothing when it comes to getting better at anything, especially music. Practice is everything. This book covers essential practice strategies and mindsets you won't find in any other book. You'll learn the What, Why, When, Where, Who, and especially the How of great music practice. You'll learn what research tells us about practice, but more importantly, you'll learn how the best musicians in many genres of music think about practice, and you'll learn the strategies and techniques they use to improve. This book will help you get better faster, whether you play rock, Bach, or any other kind of music.