Every year, Kinga and his classmates wait for the black-necked cranes to return to the kingdom of Bhutan. The birds fly south over the highest mountains in the word to winter in the valley where Kinga lives, deep in the Himalayas. The cranes have been visiting the valley since ancient times, but every year, fewer cranes return. Kinga is concerned. "What can he do?," he wonders. He and his classmates approach the monks for permission to create and perform a dance to honor the cranes and to remind the Bhutanese people of their duty to care for them. The monks caution them to first watch the cranes to see how they move and learn from them. The children watch and practice. And practice some more until the big day when they perform before the king of Bhutan. Diana Cohn is an educator and writer with an active commitment to social justice work. She has published six picture books for children. Crane Boy was inspired by two visits to Bhutan and by her interest in how cultural traditions evolve and adapt over time. Youme is an author, illustrator, and community-based artist who has worked internationally in Asia, Africa, and the Caribbean. Her first book Selavi: That is Life won the 2005 Jane Addams Peace Award. Pitch Black: Don't Be Skerd, a graphic novel she co-authored with Anthony Horton, was named one of YALSA's Top Ten Great Graphic Novels in 2009.

A LOS ANGELES TIMES BOOK PRIZE WINNER A BOSTON GLOBE BEST BOOK OF 2021 Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane. With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight. Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death. In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it.

There was a story that Mama read to Jiro: Once, in old Japan, a young woodcutter lived alone in a little cottage. One winter day he found a crane struggling in a snare and set it free. When Jiro looks out the window into Mr. Ozu’s garden, he sees a crane and remembers that story. Much like the crane, the legend comes to life—and, suddenly, Jiro finds himself in a world woven between dream and reality. Which is which? Allen Say creates a tale about many things at once: the power of story, the allure of the imagined, and the gossamer line between truth and fantasy. For who among us hasn’t imagined ourselves in our own favorite fairy tale?

Sixteen-year-old Gray Fallon's easy life as a popular teen with cool parents changes when his younger sister Maggie is diagnosed with a rare form of cancer and his investigations prove that chemicals were the cause of it.

A collection of poems written by the author at the age of ten.

Even though he has only one leg, Niya Moto is studying to be a samurai, and his five fellow-students are similarly burdened, but sensei Ki-Yaga, an ancient but legendary warrior, teaches them not only physical skills but mental and spiritual ones as well, so that they are well-equipped to face their most formidable opponents at the annual Samurai Games.

This profoundly moving tale about a grieving boy and an imaginary gorilla makes real the power of talking about loss. On the day of his mother’s funeral, a young boy conjures the very visitor he needs to see: a gorilla. Wise and gentle, the gorilla stays on to answer the heart-heavy questions the boy hesitates to ask his father: Where did his mother go? Will she come back home? Will we all die? Yet with the gorilla’s friendship, the boy slowly begins to discover moments of comfort in tending flowers, playing catch, and climbing trees. Most of all, the gorilla knows that it helps to simply talk about the loss—especially with those who share your grief and who may feel alone, too. Author Jackie Azúa Kramer’s quietly thoughtful text and illustrator Cindy Derby’s beautiful impressionistic artwork depict how this tender relationship leads the boy to open up to his father and find a path forward. Told entirely in dialogue, this direct and deeply affecting picture book will inspire conversations about grief, empathy, and healing beyond the final hope-filled scene.