The importance of science and technology and future of education and research are just some of the subjects discussed here.

Examines the problem of how governments can most effectively make use of scientists, and tells the story of the wartime enmity between two powerful British scientists.

The corridors and committee rooms of Whitehall are the setting for the ninth in the Strangers and Brothers series. They are also home to the manipulation of political power. Roger Quaife wages his ban-the-bomb campaign from his seat in the Cabinet and his office at the Ministry.

In this first annotated edition of F. R. Leavis' famous critique of C. P. Snow's influential argument about 'the two cultures', Stefan Collini reappraises both its literary tactics and its purpose as cultural criticism. The edition will enable new generations of readers to understand what was at stake in the dispute and to appreciate the enduring relevance of Leavis's attack on the goal of economic growth. In his comprehensive introduction Collini situates Leavis's critique within the wider context of debates about 'modernity' and 'prosperity', not just the 'two cultures' of literature and science. Collini emphasizes the difficulties faced by the cultural critic in challenging widely-held views and offers an illuminating analysis of Leavis's style. The edition provides full notes to references and allusions in Leavis's texts.

Winner of 1954 James Tait Black Memorial Prize for Fiction. Widely regarded as C. P. Snow’s masterpiece, this lucid and compelling story of the contest for the Mastership of a Cambridge college is the fifth novel in C. P. Snow’s magnificent Strangers and Brothers sequence. As the old Master slowly dies of cancer, his colleagues and peers jostle for power. Two candidates come to the foreground; Paul Jago – warm and sympathetic, but given to extravagant moods and hindered by an unsuitable wife – and Crawford, a shrewd, cautious and reliable man who lacks any of Jago’s human gifts. For Lewis Eliot, through whose eyes the narrative unfurls, the choice is clear, but politics and egos soon cloud the debate and the College is torn in two. Depicting power in a confined setting with clarity and humanity, The Masters remains unsurpassed in its quiet, authoritative insight into the politics of academia. A meticulous study of the public issues and private problems of post-war Britain, C. P. Snow’s Strangers and Brothers sequence is a towering achievement that stands alongside Anthony Powell’s A Dance to the Music of Time as one of the great romans-fleuves of the twentieth century.

The last in the Strangers and Brothers series has Sir Lewis Eliot’s heart stop briefly during an operation. During recovery he passes judgement on his achievements and dreams.