A presumptuous bear imposing on a coachful of ladies, how to behave in the British Museum, the dangers of dallying with a black-eyed girl and the Royal Navy's inaugural biscuit machine are just some of the masterpieces of understated journalism collected by Francis Cox and contained in his Fragmenta. At ninety-four volumes, Cox's scrapbook has to be one of the largest collections of journalistic ephemera ever. For sixty years during the late eighteenth and early nineteenth centuries he accumulated articles on everything from duels to playhouses, and foreign travel to warfare. Following on from the success of the first volume, Simon Murphy has selected more bizarre stories to create another delightful historical miscellany which will intrigue and amuse.

Some of the funniest and most bizarre news stories printed in the eighteenth and nineteenth centuries. Erotic misdemeanours in an Irish bean-field, the recipe for a frog barometer fresh from the French court, a parrot convicted of heresy and burnt at the stake in Spain and a Dutch stage effect for ejecting a wig (by means of a spring) during Hamlet's ghost scene are just some of the masterpieces of understated journalism collected by Francis Cox and contained in his Fragmenta. At ninety-four volumes, Cox's scrapbook has to be one of the largest collections of journalistic ephemera ever. For sixty years during the late eighteenth and early nineteenth centuries he accumulated articles on everything from duels to playhouses, and foreign travel to warfare. Simon Murphy has selected the funniest and most bizarre to create an historical miscellany which will intrigue and delight.

This directory is a handy on-volume discovery tool that will allow readers to locate rare book and special collections in the British Isles. Fully updated since the second edition was published in 1997. this comprehensive and up-to-date guide encompasses collections held in libraries, archives, museums and private hands. The Directory: Provides a national overview of rare book and special collections for those interested in seeing quickly and easily what a library holds Directs researchers to the libraries most relevant for their research Assists libraries considering acquiring new special collections to assess the value of such collections beyond the institution,showing how they fit into a ‘unique and distinctive’ model. Each entry in the Directory provides background information on the library and its purpose, full contact details, the quantity of early printed books, information about particular subject and language strengths, information about unique works and important acquisitions, descriptions of named special collections and deposited collections. Readership: Researchers, academic liaison librarians and library managers.

An authoritative new history of the vampire, two hundred years after it first appeared on the literary scene Published to mark the bicentenary of John Polidori’s publication of The Vampyre, Nick Groom’s detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.

AN INSTANT NEW YORK TIMES BESTSELLER “ONE OF THE MOST VISIONARY, ORIGINAL, AND QUIETLY INFLUENTIAL WRITERS CURRENTLY WORKING”* returns with a sharply imagined follow-up to the New York Times bestselling The Peripheral. William Gibson has trained his eye on the future for decades, ever since coining the term “cyberspace” and then popularizing it in his classic speculative novel Neuromancer in the early 1980s. Cory Doctorow raved that The Peripheral is “spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of Neuromancer.” Now Gibson is back with Agency—a science fiction thriller heavily influenced by our most current events. Verity Jane, gifted app whisperer, takes a job as the beta tester for a new product: a digital assistant, accessed through a pair of ordinary-looking glasses. “Eunice,” the disarmingly human AI in the glasses, manifests a face, a fragmentary past, and a canny grasp of combat strategy. Realizing that her cryptic new employers don’t yet know how powerful and valuable Eunice is, Verity instinctively decides that it’s best they don’t. Meanwhile, a century ahead in London, in a different time line entirely, Wilf Netherton works amid plutocrats and plunderers, survivors of the slow and steady apocalypse known as the jackpot. His boss, the enigmatic Ainsley Lowbeer, can look into alternate pasts and nudge their ultimate directions. Verity and Eunice are her current project. Wilf can see what Verity and Eunice can’t: their own version of the jackpot, just around the corner, and the roles they both may play in it. *The Boston Globe