In this first substantial study of rodeo women, Mary Lou Lecompte surveys the early rodeo cowgirls' achievements as professional athletes, the near demise of women's rodeo events during World War II, and the phenomenal success of the Women's Professional Rodeo Association in regaining lost ground for rodeo cowgirls. Recalling an extraordinary chapter in women's history as well as the history of American sport, Cowgirls of the Rodeo contributes to a deeper understanding of the challenges facing women in the American West and in American sport.

American lore has slighted the cowgirl, although at least one can still be found in nearly every ranching community. Like her male counterpart, she rides and ropes, understands land and stock, and confronts the elements. The writer and photographer Teresa Jordan traveled sixty thousand miles in the American West, talking with more than a hundred authentic cowgirls running ranches and performing in rodeos. The result is a fascinating book that also situates the cowgirl in history and literature. A new preface and updated bibliography have been added to this Bison Book edition.

When someone says "Cowgirl Up!" it means rise to the occasion, don't give up, and do it all without whining or complaining. And the cowgirls of the early twentieth century did it all, just like the men, only wearing skirts and sometimes with a baby waiting behind the chutes. Women learned to rope and ride out of necessity, helping their fathers, brothers, and husbands with the ranch work. But for some women, it went further than that. They caught the fever of freedom, the thirst for adrenaline, and the thrill of competition, and many started their rodeo careers as early as age fourteen. From Alice and Margie Greenough of Red Lodge, whose father told them “If you can’t ride ’em, walk,” to Jane Burnett Smith of Gilt Edge who sneaked off to ride in rodeos at age eleven, women made wide inroads into the masculine world of rodeo. Montana boasts its share of women who “busted broncs” and broke ranks in the macho world of rodeo during the early to mid-1900s. Cowgirl Up! is the history of these cowgirls, their courage, and their accomplishments.

For all girls who have ever wanted a pony, the Sisters, Oregon author (The Cowgirl's Cookbook) shares the stories and vintage photographs of women "fancy riders" who have participated in Wild West shows and rodeos since the early 1900s. Stanford includes a glossary of trick-riding terms, websites "where cowgirls go to shop," a list of rodeos and fairs in North America, and suggested further reading.

Oklahoma's central location and ranching tradition gave it a unique connection to the rodeo industry as it grew from a local pastime to an internationally popular sport. From the very beginning, Oklahoma cowgirls played a significant role in developing the institution and the businesses that grew up in its shadow. Lucille Mulhall's pioneering roping carved out a place for women in the actual competition, while Mildred Chrisman's promotional efforts kept rodeo chutes open during the Great Depression. Modern ranchers like Terry Stuart produced the quarter horses sought by professional athletes around the world. From Guymon to Pawhuska and from stock contractors to rodeo clowns, Tracey Hanshew follows the trail that Oklahoma women blazed across this rough-and-tumble sport.

The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo truly has grown into an edge-of-the-seat, money-drawing, and crowd-cheering favorite pastime. However, rodeo has diverse history that largely remains unaccounted for, unexamined, and silenced. In Gender, Whiteness and Power in Rodeo Tracey Owens Patton and Sally M. Schedlock visually explore how race, gender, and other issues of identity complicate the mythic historical narrative of the West. The authors examine the experiences of ethnic minorities, specifically Latinos, American Indians, and African Americans, and women who have continued to be marginalized in rodeo. Throughout the book, Patton and Schedlock questioned the binary divisions in rodeo that exists between women and men, and between ethnic minorities and Whites—divisions that have become naturalized in rodeo and in the mind of the general public. Using iconic visual images, along with the voices of the marginalized, Patton and Schedlock enter into the sometimes acrimonious debate of cowgirls and ethnic minorities in rodeo.

For the rebel in every girl's heart, this series presents the achievements of extraordinary, relevant, and inspiring women throughout history. Through quotes, narratives, photographs, illustrations, and fact-filled side-bars, each book tells the story of twelve bold and courageous women. The Wild West and the rodeo are not the only places where the cowgirl spirit can be found. From the sharpshooting Annie Oakley to the legendary Calamity Jane, these female cowgirls came from all walks of life, but share an irrepressible spirit and dedication to pushing the boundaries. Featured cowgirls include Georgie Sicking (cowboy poet), Charley Parkhurst (stagecoach driver), Tillie Baldwin (rodeo cowgirl), Tad Lucas (rodeo's First Lady), Lucille Mulhall (steer roper), Charmayne James (barrel racer), Lillian Riggs (rancher), Sally Skull (horse trader), Johanna July (horse tamer), and Mary Fields (pioneer and mail driver).